tag:blogger.com,1999:blog-22539436609447099832024-03-26T00:39:43.749+08:00山山一方你未看此花時,此花與汝心同歸於寂letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.comBlogger376125tag:blogger.com,1999:blog-2253943660944709983.post-15376592668169269482024-03-21T02:06:00.003+08:002024-03-22T03:05:41.890+08:00(兩)光啊<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicVcXPzXxmDkx03DgAB0Ff7-kPn0T8NqTPdjiKRbgB9DmBvmfAPYbfcUwGthaExpFhuZs9H2-8yoSv45Q8108NKD8jTd39k2Fa1BzFyG0_NA5NN3veqdIIt1Xa6pYefXub9TA13rBRJgrvjhEX9J38hjMJFLuaJGrXotdDuk6cWd4V2OtxmI-OFfSVbFE/s2423/53260006_colored.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1977" data-original-width="2423" height="522" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicVcXPzXxmDkx03DgAB0Ff7-kPn0T8NqTPdjiKRbgB9DmBvmfAPYbfcUwGthaExpFhuZs9H2-8yoSv45Q8108NKD8jTd39k2Fa1BzFyG0_NA5NN3veqdIIt1Xa6pYefXub9TA13rBRJgrvjhEX9J38hjMJFLuaJGrXotdDuk6cWd4V2OtxmI-OFfSVbFE/w640-h522/53260006_colored.jpg" width="640" /></a></div><p><span style="color: #666666;">Kodak PPN160(exp. 2008-07, Lilai292477_5326),去年的白杜鵑,埔里黃宅前院。<br />大過期和大過曝,是個變質的春天吶。</span></p><p><br />春分之日,反省日常光景之缺失。<br />拾人牙慧太多,求知若渴,暫且落不到實處,一種架空而虛幻的幸福。</p><p>不知道為什麼就從索緒爾連到了東坡先生,前者能指所指,後者形象本質。<br />《淨因院畫記》說:余嘗論畫,以為人禽、宮室、器用皆有常形;至於山石、竹木、水波、煙雲,雖無常形,而有常理。常形之失人皆知之,常理之不當,雖曉畫者有不知。⋯⋯<br />其實是完全不同的東西啊,邏輯腦和意境腦,語言關係十分搖擺。</p><p>春假嘛,多搖擺搖擺,跟著天氣一起乍暖還寒。<br />不著急找答案,姑且學習專心走路,好好呼吸。<br />或偶有閒暇的時候,祈雨和賞花。</p><p> <br /></p><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-83463690547005273542024-03-03T23:57:00.386+08:002024-03-07T01:50:08.696+08:00山山一方<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyNgY3BALCX7eK8oI7UM83TKuEOy6UE6oEitmt7zvNfqoaRngAl1xuqXBxE55OJCXxutckqL1Y8uCCN5VFjRfGF2EIeBIJinNJqPeb9d2AnrheBoZRBBzpLJgj8z2D5YA38XPqiOMzjmmGSAbMxd-AdoSGbFithf2Zidu69NzsFtp9VzJZPbAxvUP-XvE/s3089/73560002_.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyNgY3BALCX7eK8oI7UM83TKuEOy6UE6oEitmt7zvNfqoaRngAl1xuqXBxE55OJCXxutckqL1Y8uCCN5VFjRfGF2EIeBIJinNJqPeb9d2AnrheBoZRBBzpLJgj8z2D5YA38XPqiOMzjmmGSAbMxd-AdoSGbFithf2Zidu69NzsFtp9VzJZPbAxvUP-XvE/w640-h424/73560002_.jpg" width="640" /></a></div><span style="color: #666666;">Fuji X-tra 400<span>(Lilai294720_7356),去年初春,韋陀地方室生寺,日本奈良。<br />站得離大山大樹大佛大殿很近,向上仰望看不見端點,是萬物與我同在的時刻。</span></span><p></p><p><br /> 分辨視角,是一個有趣的練習。<br /> 向上的崇敬、向下的恐懼、向前向後、過去未來、平行或交錯的道路、視線清晰的安全感和模糊的新奇,或還有對於「人生進度」這種年歲和成就上的計較、判斷和憂慮。</p><p> 聽蔣勳老師說文青時代,說那等莽直、銳氣、和爛漫,說那些事故和圓融,說悲劇性和俗不可耐,說三島由紀夫想要到達的頂點,說各自表述啊請你唸出這句經典臺辭:<br /> "To be or not to be."</p><p> 前幾天被爹娘認真關心了民生問題,覺得柔軟,也很難為情。<br /> 臺中三年、北京半年不論,跨過今年春節,在臺北獨立生活的時長,已經超過埔里童年(又可以牽扯回鄉焦慮)了呢。<br /> 上半年計劃在理論邏輯和夢中樓閣琢磨更多,難免有些不接地氣的決定。洛陽居或許不易,但是偏鋒有偏鋒的趣味,我想我更善於增加選擇而不是限縮可能,因此請別擔心。</p><p><span></span></p><a name='more'></a> 《哈姆雷特》第三幕第一場,朱生豪(1912-1944)譯作「生存還是毀滅」,是通用至今最常被引用,甚至成為常識的版本。<br /> 我不是莎迷,從來讀不下完整的英文書寫。然而出於語言歧異的興趣,覺得未免武斷了啊,非死即生什麼的,分明世界上有這麼多活死人(是不是有點嗆;)。<p></p><p> 或許不能承諾我將成為什麼,但能肯定不會成為什麼。<br /> 「什麼」的面貌雖然模糊,但我相信那些掙札和權衡,都不曾背離自己所謂青春的想像。就像物理上的仰視和俯視同在觀看的框架中:有透視對焦、有距離遠近、也有消失點。</p><p> 換個名字吧,心象世界的玄關是既有的結構。<br /> 先生說:「你來看此花時,則此花顏色一時明白起來,便知此花不在你的心外。」</p><p> </p><p><span style="color: #999999; font-size: x-small;">_</span><br /></p><p>下一個二十一歲<br /><span style="color: #999999;"><span style="font-size: x-small;">青春可以無所謂地浪費(之類)</span></span><br /></p><p>然後,二十二歲了</p><p>二十三歲嗎?</p><p>二十四歲是吧...<span style="color: #999999;"><span style="font-size: x-small;"><br />青春是一種奢侈的概念</span></span><br /></p><p>嗨、二十五歲<span style="color: #999999;"><span style="font-size: x-small;"><br />青春不饒我,而我也未曾饒過青春</span></span><br /></p><p>如是年二十六矣。</p><p>此去二十七八年華<br /><span style="color: #999999;"><span style="font-size: x-small;">如何良辰好景千種風情,不如醉沉沉了睡</span></span><br /></p><p>歲二十九:<br /><span style="color: #999999;"><span style="font-size: x-small;">人面不知何處去,桃花依舊笑春風</span></span><br /></p><p>三十(好幾)<br /><span style="color: #999999;"><span style="font-size: x-small;">將睡未醒時候,最難將息</span></span><br /></p><p>三十_真好幾<br /><span style="color: #999999;"><span style="font-size: x-small;">一花一世界,一木一浮生</span></span><br /></p><p>山山一方<br /><span style="color: #999999;"><span style="font-size: x-small;">你未看此花時,此花與汝心同歸於寂</span></span></p><p> <br /></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-7394978566988788182024-02-20T00:51:00.003+08:002024-02-20T01:01:35.530+08:00雨水之日天氣晴<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_AC4xqe75tMlDcDhhJkpLTl0KUXzA36vnlZzTzMIUfB7klkc_rzEYkfI5XAp4Ixw2ZuIbDE63VbRH0vwGO5jKJbx4hdQH3nES7R8gERNkOB5dFBexhrO0SkGuu9f_0ULRhwHPXJUmJXMsIyU7qVRwa6cVdgrvwjY2ZiK5C8dYbuGs0WlaESVIQ3yoD7s/s1800/62480021_r_rs.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1193" data-original-width="1800" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_AC4xqe75tMlDcDhhJkpLTl0KUXzA36vnlZzTzMIUfB7klkc_rzEYkfI5XAp4Ixw2ZuIbDE63VbRH0vwGO5jKJbx4hdQH3nES7R8gERNkOB5dFBexhrO0SkGuu9f_0ULRhwHPXJUmJXMsIyU7qVRwa6cVdgrvwjY2ZiK5C8dYbuGs0WlaESVIQ3yoD7s/w640-h424/62480021_r_rs.jpg" width="640" /></a></div><br /><p><span style="color: #666666;">moviefilm Kodak 400D(電影除碳卷,Lilai313295-6248),北師藝術館東邊角落,臺北市大安區。<br />陶工坊外面,一座長草的疊磚窯,妳不及參與的歷史遺跡。</span><br /> <br /></p><p> 說起來我們家的人似乎有個習慣,看待成就如流水,明白那都是會消逝的東西。而既如流水,逝者如斯不得過分耽溺,自我膨脹一陣子,事過境遷就收起來唄,待歲月流逝茶餘飯後,再來下酒。或者退開一點距離,鞭一鞭抽搐幾回痛定思痛,再繼續精修。<br /> 誠如精細素描是畫不完的,詩句永遠可以推敲,層層疊疊巒巒嶂嶂,一山還有一山高呢,隨時檢查一下自己在哪個山腰。講好聽一點職人精神,換句話說食古不化,額外追加一個善於反省。但我覺得很好,很踏實。</p><p> 過檢定、過生日,又是一個年,進入下一個季候、新的學期。總覺得很多該做的沒把握好,就糊弄成這般混濁的樣子。上一段時間裡生計波磔,無心開源,向未來的自己舉了債,掙扎一番決定繼續欠。道有先後事有終始,總不能老是這麼貪心啊。有捨才有空間取得,做不來的請就放著,別太思量。<br /> 今天下課難得步行經過福安宮,學校後門兩個街口外的福德正神廟,惦記許久,終於向笑咪咪的土地公敬香問安,覺得案檯下的虎爺神尊也好可愛。再去看相熟的小藝廊新的器物展,摸摸他人的手製作出來的,他者時光沉積物。<br /> 方興未艾的時候,和春天一樣寒暖交替著。而暫時不知道要把自己放在哪裡的時候,就鑿一扇窗,去看看不同面向的風景。</p><p><span></span></p><a name='more'></a><p> 說說石頭計畫(這個階段幾乎篤定了的創作核心),最近生起的兩把火。一把自己的,一把在窗外。<br /> 一月中期末評圖,收到一個於我而言相當有趣的指教:「這個作品中我看不到感情。」——哇噢,可喜可賀!曾經在設計領域被指導教授評斷「妳的理性在哪裡」的我,竟有幸得到如此不濫情的評價。瞬間覺得太好了,來啊,太想要用力辯講大山大水小情小愛還有宇宙洪荒雞毛蒜皮這類、巨觀和微觀的世界論——不過講評已經超時太多甚至不足夠把這個指教說得更精確,只能悶養火種,相等來日添柴加油之機。「想武裝起來認真吵架」這種意識,消失在我的生命中、至少有十年了吧。真能被人摸到引線,實在非常不容易,我由衷感謝。<br /> 一月底生日以前,到山上去會見另外一把,真實溫熱的火。是燒著柴的窯,樟木和欒樹,剛好是學校中庭的樹種,香氣厚重,黑煙、水汽、火星子,跟著最後一個傍晚的1075到1130度。想到小時讀荒人,希伯來文狗狼時分天色,山上空氣很冷,誰管妳是誰的自由自在。顧柴的人們換班,關燈,開窯洞看火,藍牙喇叭唱著宮崎駿的天空之城,既浪漫又悲壯(我不合時宜地在心裡OS「像極了愛情」這種荒謬的句子)。真實的火在它的神域裡飄搖,如風的顯形,如水波柔細,那真的好美,真的好詩意。是神蹟啊,即便無機也好似超越了生命,就算燒灼視網膜生理流淚也想一直看著。<br /> 總有那種時刻,那種空拍的休止符,突然慌起來不知所措的時刻。被尖銳地刺痛、被光蠱惑,覺得有那些艱難或麻木真好啊,帶領我遇見他們。</p><p> 在書上讀到「當代書寫的重要之處不在傳遞資訊,而是創造資訊」。記載本身,已經包含了記載者看待世界的位置和方式。<br /> 好一段時間沒整理日子流水,正值開學第一天,重複一個小展望——<br /> 一切沒什麼大不了的啊,船到橋頭自然會直——<br /> 請存一些賭徒之勇,<span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" dir="auto">如若妳就只想圖一個錦上添花的人生。</span></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicbPNjE5o-DklSYdMOb3a2n3CLrfy0EWEyjCtJzApm6ZjXbYCNKt3XGmCxdfXorfK9lQtmQ62sPoxiBjVpkd-wPkR3qnd4S-gCAJnh5jyDZMHJQxblleIaIApBQwzqDMg9b_GWBDcUgXZL1jC7TI029ilUtFdAAbA2cwMAM7zyQPxZyOXnGj4kr0p7JLA/s3107/indax-03_pic.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1078" data-original-width="3107" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicbPNjE5o-DklSYdMOb3a2n3CLrfy0EWEyjCtJzApm6ZjXbYCNKt3XGmCxdfXorfK9lQtmQ62sPoxiBjVpkd-wPkR3qnd4S-gCAJnh5jyDZMHJQxblleIaIApBQwzqDMg9b_GWBDcUgXZL1jC7TI029ilUtFdAAbA2cwMAM7zyQPxZyOXnGj4kr0p7JLA/w640-h222/indax-03_pic.png" width="640" /></a></div><span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u x1yc453h" dir="auto" style="color: #999999;">11st, JAN, 2024 | 國北教藝設碩 112-1期末評圖現場紀錄<br />若說階段性的主線在於紀錄行為的<a href="https://letterofcat.blogspot.com/2023/06/long-walk-ii.html">《公竟渡河》</a>,則支線還是石頭,簡言之想在窯裡把原生石頭和器物燒作一體,為此做了許多嘗試。過於空泛未定調完整,主題暫落在<a href="https://www.behance.net/gallery/190080339/-a-long-walk-II-I2024">《天地玄黃》</a>,放在作品集網頁備存。</span><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-52513239486560792992023-12-28T02:34:00.010+08:002023-12-28T03:57:32.053+08:00心流時間<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiriQ8C5Cu8cVScqXBM-Q6kltaJlKdpKjTL0fZow-EQyPzwe5LpR4ugm0A3b0mMlXELHhDJj8Qur0v17GUj6d1tcvYaIaJnzlRxa-4hy4C_OiNg_mlKkLldGQ1ouq8734wQ6PDmjqPRpFAiJtsC3hjPDUy74QDj-E0Y6ZHsYHX7AfZ9dEn640S2Lp52URA/s3600/88210028__Rs.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3600" data-original-width="2386" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiriQ8C5Cu8cVScqXBM-Q6kltaJlKdpKjTL0fZow-EQyPzwe5LpR4ugm0A3b0mMlXELHhDJj8Qur0v17GUj6d1tcvYaIaJnzlRxa-4hy4C_OiNg_mlKkLldGQ1ouq8734wQ6PDmjqPRpFAiJtsC3hjPDUy74QDj-E0Y6ZHsYHX7AfZ9dEn640S2Lp52URA/w424-h640/88210028__Rs.jpg" width="424" /></a></div><span style="color: #666666;"><br />Fujicolor 100(Lilai306815_8821),美好時光,觀音山上的古物咖啡廳,新北市八里區。</span><p><span style="color: #666666;">與新北美術館同捲底片,另一個週五,九月初日。新鮮的絲瓜和大粗陶盤既刻意又隨意地疊在角落,提取了一個極盡做作的情懷,我太喜歡。</span> </p><p><br /></p><p><span style="color: #999999;">還請務必留意雨後樹下的褐雲瑪瑙螺(,俗稱非洲大蝸牛的可怕生物)。 </span></p><p><span style="color: #999999;">明明可能還久,預感回鄉焦慮。</span></p><p><span style="color: #999999;">著迷馬勒的慢步調,第三號交響第四樂章,女中音詠嘆。內容或許不重要,查克拉圖斯特拉如是說,尼采的生亦何歡。<br />我記得那本書小小的,封面樣式古老,搬遷之後應在埔里的大書架上,書裡夾有葉子。<br />不記得內容的旅行。</span></p><p><span style="color: #999999;">摩寫伊秉綬的《蘇文忠公(東坡先生)朝雲墓誌銘》,錨點明確使人安心。</span></p><p><span style="color: #999999;">如意盤長,寶葫蘆紋樣。 </span></p><p><span><span style="color: #666666;"><span style="caret-color: rgb(102, 102, 102);">-</span></span><br /></span><span style="color: #666666;">以上存搞於九月中,該了結的枝枝末末。</span><span style="color: #666666;">便也綜合一些學期末頭緒混亂的序列吧,說說此時。</span></p><p><span style="color: #666666;">-</span></p><p><br /><span></span></p><a name='more'></a> 昏睡一會天冷醒來,夜半,臺北又下了雨。<br /> 決定行茶,喝點熱呼的,昨日爹媽上來城市看我捎來剛烘好的秋茶。<br /> 大提琴與鋼琴的河,紅泥佛手壺,先泡完另一只紫砂裡頭的前日殘茶,武夷地方老牌龍雀口糧。同是烏龍茶系,岩茶暖我身,家鄉茶窩心。<br /> 近些日子因為那些過分周到而情思閉鎖的閘,就突然透了個口子,容許寂寞惆悵低迴此等,無益於高效日程的瑣碎物質滲透進來,平白染了顏色。<p></p><p> 昨日兩老千里迢迢輕車簡行而來,與我午餐、在冬日裡散步和午茶,交換行李箱,打算來去瀟灑,趕在下班潮洶湧以前,坐高鐵回家。我送他們到路中央的公車島,等待的間隙裡匆匆魯莽地擁抱分別。<br /> 今天本來約了新朋友,想好好待茶,平復彼此各自日常堆積成行屍走肉的麻木,卻為了釉燒進窯延宕。學期末嘛,前一晚還上釉到五更來著(嘖)。下午疊了大大小小的石頭和盤子進電窯,設定了龜速升溫,悶燒二十一小時。晚八點多緊好窯門,回來席上昏睡。<br /> 自己喝茶也很好,很安靜。因為不需要回應他者,便自發對外物、誰或什麼、的思念。</p><div><p> 偶爾也是會如是想,真不想當人類,就做一隻不相干的貓。<br /> 攤成一長條,曬曬太陽,耽溺白日夢,或所謂美。</p><p> <br /></p></div><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-10175878173836528772023-11-30T06:34:00.011+08:002023-12-01T02:48:00.474+08:00冬日<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgERkhlQ4afy9avxmTDAYZ8iC_C5q2lEzlRvRLU4OfTA2RQ50nziswWH1JSkrd3WQqcogTKxndd420vZ-Mbk-NmCNpzhk8Q0MYkIkcIed_aWcnNQs7hJJ3VSzF3RV1xx7hB6MDTttXaEvUQM5qxtjNmhkJtcEDU9zYFge24emVT1tzQntu4qm-AQB4vIzs/s3130/000006040028.tiff" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2075" data-original-width="3130" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgERkhlQ4afy9avxmTDAYZ8iC_C5q2lEzlRvRLU4OfTA2RQ50nziswWH1JSkrd3WQqcogTKxndd420vZ-Mbk-NmCNpzhk8Q0MYkIkcIed_aWcnNQs7hJJ3VSzF3RV1xx7hB6MDTttXaEvUQM5qxtjNmhkJtcEDU9zYFge24emVT1tzQntu4qm-AQB4vIzs/w640-h424/000006040028.tiff" width="640" /></a></div><span style="color: #777777;">moviefilm Fuji 250D(TianHung604),鴨川東山段,陽光燦爛的下午。<br /></span><span style="color: #777777;">二月下旬晴朗的冬日,伏見稻荷下山,順到光明院曬了好一會太陽。決定步行回三条,不知道趕不趕得及在寺院關門以前多走幾個點。心裡可能有些著急,但金黃色的陽光和路上放學回家的小朋友們又可愛得不思議,住宅區閒適喜人恰如他們原有的樣子,途經此地的我既專心又分心,無事忙。</span><p><br /> 早上的課在外面,過午回到學校工作室,看見桌上擺著大神從自家園子採下來的南洋茶花。白白圓圓的一朵,選了個阿里不達器物(架子上的半殘品)盛水養著,葉子舒長,像勁道甩開來的水袖。被贈花了呀,很喜悅。<br /> 前一刻才冒昧送出上一捲底片的影像呢,回頭就收到禮物,往返迴環,或也是一種意念的交換。心意是絕對的,無法量化的東西,在消費世界裡大約很難定義,然而因此,我很珍惜。既愛惜羽毛,也珍重情誼。<br /> 然後想到舊友捎來好久了的明信片,覺得好像要快點回(笑)。</p><p><span></span></p><a name='more'></a> 我們泰半容易欣賞花兒最美的亮相,卻未必有足夠的耐心參與她綻放和凋零的過程。或反過來說,她也未必願意暴露那些不夠美的樣子,人物設定之類(呵呵)。我最近一直纏繞這些諸如結果論的辯證,覺得流變的世界荒腔走板得有趣。 <br /> 總覺得相識於快時代的人們,很難有機會共享慢時光。<p></p><p> 天冷下來,重新撿起行茶的習慣。<br /> 放著好一陣子不碰,自然生疏不少,手都不耐燙了。家鄉茶和熟悉的器物暖幾天,終於能泡出比較像樣的茶湯,不會老要嫌棄自己,甚至找到了新的樂趣。<br /> 把玩一只釉下青花釉上描紅金的白磁斗笠蓋碗,單手環握出湯順暢,卻有些可惜,畢竟碗身也有很美的瓷繪,很想在運行當下多看一點。於是練習一個新的手順,虎口貼碗緣,上紐下足以指托捏,出湯的時候有個看似炫技的抖腕花兒。燙了幾次才摸到一點不狼狽的邊,找准水量和角度,在做中學,覺得「新技能達成」,就很有成就感。好像與器建立新關係,彼此磨合爭執之後終於達成共識,默契起來。<br /> 從其他寬口蓋碗開始,推及一般比例的器們,這個手順是今年冬天的小遊戲。</p><p> </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8KE7OE-r42h0U5bNjnwZFMrrCfT6qCyhzgDKFozOZLXlT7Xt4yL0oyN8Y3PRg0lpGhUFFQm3GZsJmrtL5wuSd15uwLnQ04nuIBCAiaRgKmYn5Nop-kOEAngWUmIRPMhAimSiJruCkL9wAmML6uh9-9mP5-0laL3V0TDIIqY_u-9rxiJ9z3tfNGuBdEpY/s3130/000006040027.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2075" data-original-width="3130" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8KE7OE-r42h0U5bNjnwZFMrrCfT6qCyhzgDKFozOZLXlT7Xt4yL0oyN8Y3PRg0lpGhUFFQm3GZsJmrtL5wuSd15uwLnQ04nuIBCAiaRgKmYn5Nop-kOEAngWUmIRPMhAimSiJruCkL9wAmML6uh9-9mP5-0laL3V0TDIIqY_u-9rxiJ9z3tfNGuBdEpY/w640-h424/000006040027.tiff" width="640" /></a></div><span style="color: #777777;">moviefilm Fuji 250D(TianHung604)腳程匆匆的後一張,京都造形藝大旁邊街區,像臺灣不知名的鄉野景色。迎著西邊的光,藍天白雲立體。<br />若說旅行在骨不在皮,便請妳提醒自己,隨時抱持玩心。<br /><br /></span><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-37980837642737857422023-11-21T17:00:00.004+08:002023-11-27T00:47:28.887+08:00(偽)神諭<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil0sm_rxyqO2Jekjf5t0kMW8xazPE-ieh3YEQ_4qIDThbLu4un5W19kYKHRcZSVJmTRd7BbSzVoSmp6ImONGxCYnnA0gEKLPqs6MGrwzrBKJzp5V8KIy5oaszxmzCd3gDof6ZJDr8rdBCVgTXKRJLnxiLbwkBQy30JNIAJvohl2bhatzkU70CAx2IPxys/s3089/88210010_.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3089" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil0sm_rxyqO2Jekjf5t0kMW8xazPE-ieh3YEQ_4qIDThbLu4un5W19kYKHRcZSVJmTRd7BbSzVoSmp6ImONGxCYnnA0gEKLPqs6MGrwzrBKJzp5V8KIy5oaszxmzCd3gDof6ZJDr8rdBCVgTXKRJLnxiLbwkBQy30JNIAJvohl2bhatzkU70CAx2IPxys/w424-h640/88210010_.jpg" width="424" /></a></div><p></p><p><br /></p><p><br /></p><p><span style="color: #666666;">Fujicolor 100(Lilai306815_8821),李梅樹先生的祖師廟,新北市三峽區。<br />一個陽光熱烈的陰天,妳不曉得雲為什麼厚,也不曉得陽光從何而來。</span></p><p><br /> 不緊不慢的臺北倒數時間裡,我開始揚言:回鄉之後要蓋一座廟——取代建立工作室,或一個窯。<br /> 如此,當別人問到從事什麼,我就能很篤定地說廟公,跳大神的巫,法外之徒。</p><p> 在我心裡,那是一個僅次於「母親(或父親)」的偉大職業。高級過指向明確的瑜珈老師、設計師或邊緣藝術勞工。<br /> 腳下的功課是一回事,前面的道路又是另一件事。一個被實現的烏托邦,就不再有烏托邦夢想的空間啊。因此保持距離是很好的,始終在前方,始終遙遠。</p><p><span></span></p> 我想要世界永遠是一個無限的圓,因為直徑無限,任何一點都可以成為圓心。<br /> 而它的圓周,即不存在於任何地方。<p></p><span><a name='more'></a></span><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_AfSBKEACrDyVIsAH3mUtszZZv4IGE2hTdosg9MrYFwJ037pZjccUD5lj5I5UplnrzO52H4KqRZwHUo4Z1sboXja-Q67IVJbSN9ZgFq4zCaJQaP2MhrqG0gFC-hnLFaGXihC0dUJGvxZY8jcAJZT_mcMBonbwkhQ7NxenPhDF58pUo0g_PGB23rb13s/s3030/88220007_.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="3030" data-original-width="2009" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC_AfSBKEACrDyVIsAH3mUtszZZv4IGE2hTdosg9MrYFwJ037pZjccUD5lj5I5UplnrzO52H4KqRZwHUo4Z1sboXja-Q67IVJbSN9ZgFq4zCaJQaP2MhrqG0gFC-hnLFaGXihC0dUJGvxZY8jcAJZT_mcMBonbwkhQ7NxenPhDF58pUo0g_PGB23rb13s/w424-h640/88220007_.jpg" width="424" /></a></div><p></p><p></p><p><span style="color: #999999;">_</span></p><p><span style="color: #999999;">Fuji X-tra 400(Lilai 306815-8822),日月潭文武廟後山華表,南投縣魚池鄉。<br />今年秋天,與爹娘一起拜訪莊記茶廠之後散步,天色轉暗,霧漸起兮。<br />得一籤說:祖宗積德幾多年,源遠流長慶自然。若更操修無倦已,天須還汝舊青氈。</span></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-24257264236825675452023-11-18T02:43:00.019+08:002023-11-18T03:12:51.536+08:00放牧<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRxbMgZalIOKw6S0gIRJKzTSFGf0NjznBG2CNSiZSzV_snLNgv2d4NILr-IsdysIf8ofseEFFRztrKQB8UqQcaBbhFpH0Ei0h52a2f1lrMyQStHh8W9i_sIwrYRmzszMxFFUDt5vstXaJyRLhmSL8Qb0AwzExKuZRF1dI-4kN6-oNBGDjqAM7VOj5zlI/s3089/21260030.TIF" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3089" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRxbMgZalIOKw6S0gIRJKzTSFGf0NjznBG2CNSiZSzV_snLNgv2d4NILr-IsdysIf8ofseEFFRztrKQB8UqQcaBbhFpH0Ei0h52a2f1lrMyQStHh8W9i_sIwrYRmzszMxFFUDt5vstXaJyRLhmSL8Qb0AwzExKuZRF1dI-4kN6-oNBGDjqAM7VOj5zlI/w424-h640/21260030.TIF" width="424" /></a></div><p></p><p><span style="color: #666666;"><br />ilford delta 3200(Lilai309420_2126),自由廣場,秋夜風涼。<br />吹了百來顆氣球過後,看戲的那個週五晚上。廣場點燈的時候,剛好許多女孩兒們。</span><br /></p><p><br /> 臺北瞬間冷了,一時竟不知道是身冷還是心冷。或更悲慘一點,二者皆有之。<br /> 臉皮表面的細紋好可怕,更有一些愛蛻不蛻的小屑屑,一天幾趟騎行過後又再增添一點。苦中作樂浪漫比喻呢,人體也如地景,有風化的迷人(?)走痕。 </p><p> 一個工作的小間隙,恍神自省起來,關於近日浮躁腦洞良多,常對人耐心喪盡云云,很不溫柔也不禮貌的壞狀態。自有託辭:沒時間好好睡夠覺、想獲取的諸多都還得等、新任務像溺水的絕望的泡泡垂直湧現並且都是急件,等等滿滿藉口。(抗壓能力變弱了啊寶貝,妳安逸太久了。)<br /> 安全感匱乏,哭窮只是表面嚷嚷,根本原因終究在於期待值偏差。比方某一款釉色燒出來差強人意,比方全心全意列出條目去洗洗睡,醒來再看明顯執念過深,乾脆扔了重來比較快。說大起大落也不合適,畢竟現世安穩,只是鬱悶疊加鬱悶,辜負大好時光。<br /> (唉。)</p><p><span></span></p><a name='more'></a><p> 拉開距離回看石頭計畫,口嫌體正直,說是想避開存在主義,還是自願陷入本體論的坑,摻雜一些神話、價值體系還有消費史觀攪和。上層建築的事啊,宇宙真理或普世框架啥的,真的不能太過量。<br /> ——腦都飄到半空了,地上的身體要怎麼辦呢?吃的喝的拉的撒的食、衣、住、行,小熊維尼的快樂和布爾喬亞的煩惱(硬要亂入到底<span style="color: #999999;"> (≖ ᴗ ≖๑)</span>),就都離自己太遠了啊。<br /> ——因此對身邊活生生的人類越來越沒有興趣嗎?聽起來很危險。太習慣無病呻吟就會真正邁向有病,拜託務必警惕。</p><p> 身為一個逐水草而居,畜養自己的牧民,牲口放飛不管似乎太久囉。是該把碎片們收回來圈著,整整隊伍,點點誰活得好好,而誰是否拖家帶口生了幾個小的(?)。<br /> 寒冬將近,加糧添暖,小心火燭。</p><p></p><p><br /></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-30373447468367216902023-11-06T02:39:00.019+08:002023-12-28T04:09:52.920+08:00那些你以為你明白但顯然不是的<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7zTrsIwvgZHpxhrBZo-Hi-AoOA3HuPh1fNyiBvt6ZVJvhhLKtGytY-Rtr9jnGlZVoFZArBYKfPHrPRAoWH6gReV4NS_LCJL0T9p9NMkFzIVYGnUSlHbs0-eOwhX8r97PXDAZvSVCfCvb0039Zn7sq72A9zfgFRs2-2K-UA7YaqQybPdfQ-DWOJrvbO5k/s3888/IMG_0733.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2592" data-original-width="3888" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7zTrsIwvgZHpxhrBZo-Hi-AoOA3HuPh1fNyiBvt6ZVJvhhLKtGytY-Rtr9jnGlZVoFZArBYKfPHrPRAoWH6gReV4NS_LCJL0T9p9NMkFzIVYGnUSlHbs0-eOwhX8r97PXDAZvSVCfCvb0039Zn7sq72A9zfgFRs2-2K-UA7YaqQybPdfQ-DWOJrvbO5k/w640-h426/IMG_0733.JPG" width="640" /></a></div><p><span style="color: #666666;">Canon 40D,剛換了名字的自由廣場,和一個不可考的造勢或陳情<br />時常亂按快門的年代,公車上途經,2009年3月</span></p><p><br /> 週五晚上看了一場戲,坐在戲劇院三樓頭一排,開演前小瞇了會,燈暗下才迷糊醒來。當天實在太早上工,密集吹了一百五十顆十吋氣球作藝術實踐(?),呼吸是體力活兒,英雄氣虛也。<br /> 是個越看越清醒的舞碼,而且不是理性紀錄分析段落的那種俐落,反而「被鋪陳帶進去所以波動有點多」。雲門改組以降,太久沒有當場看淚我的表演,也實在太意料之外,覺得很有必要寫下。 <br /> 節錄貼上紙本票根的日記,綠色圓珠筆字跡相當潦草:<br /></p><a name='more'></a><span style="color: #999999;">「 這個演出我看得好滿足。<br /> 雖然買票前著實掙扎了一番簡介內容和主題概念:人類抱團、社會運動,某些悲天憫人或大愛等等(其一是對眾志成城冷感,其二則對強硬的立場持續抱持懷疑)。<br /> 但怎麼說呢,那種原始,並且提取出「個體差異」的區別與包容,噢還有某些一致且一再重複,疊加了我不知道藏去哪裡的碎片化的自己、的狀態,就越看越精神起來。<br /> 然後竟哭了。<br /> 我沒筆記段落也沒有分別什麼舞臺編排,就看那些類排練的、走位明確的、情緒過度的、太努力的,像忿懣、像禁錮、像瘋癲、像錯位、像撕裂、像控訴、像重新歸屬的⋯⋯,切分之間若無其事換場,徒留心裡雞毛一地的微妙,我真的很喜歡。<br /> 還有語言,語言本身的荒謬和反面教化云云。人類的動物性和社會性,被美麗冷淡的少女聲說出來,以語言加乘之後的殺傷力。嘖。<br /> ——喏單純看看上面用了多少我太少使用的詞彙,那說不定都是流水中習慣性壓密起來了的。被他人具象表現出來之後,一個看客的移情,就很——<br /> 打完一場枕頭仗的爽感,氣喘吁吁。」</span><p></p><p> 雖然也可能僅是一時一地,疲倦之餘的善感。然而必須很誠摯地說,最近對純善(或不太分辨出來的偽善,例如關愛或呵護)有點膩味。<br /> 總覺得打破表面和平的那類東西,嚴厲的毒舌或反方觀點,似乎才是現在的我所真正需要的。論學習過程裡,批評指教之必要啊,針鋒相對可能比較有意思,直接被指著鼻子怒罵不學無術,才能從自責難堪之中求得哪怕丁點進步。畢竟我等確實久經摔打煉製,才長成了如今這個樣子。<br /> 朋友說,這不就是妳慣常的M心理嗎。</p><p> 我說,當前粉飾太平鄉愿充斥的理想國,怕是被M才有存在感吧。<br /> 謝天謝地謝那些願意S我之人。<br /> :) </p><p><span style="color: #666666; font-size: small;"><span>_<br /></span></span><span style="color: #999999; font-size: small;"><span><br />註:2023秋天藝術節 <a href="https://www.opentix.life/event/1670998642994610177" target="_blank">楊.馬騰斯《任何搞分裂的企圖都將以粉身碎骨告終》</a></span></span></p><p><span style="color: #666666;">底片剛沖出來(11/17),補個謝幕影像。<br />事實乃紅衣鮮豔,彼時銀鹽檢成均值的灰,或也是一種命中注定。</span><span style="color: #999999;"><br /></span><span style="color: #666666;">ilford delta 3200(Lilai309420_2126)<br /> <br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmcC0Cuhb1dfwFnP9QH8-tXyzaC0sHhTHXjn2k2fqAraUAPUcbfgPo3reN1pmykYLNmwfT4031cWkmmxWpOemGSqoqK74nvBU3BwCmcu8Tf_Jn0JpwlOO0GZPPsSs6AzoU9J5G2VoDoAbWt-2E7F9blrfJW7jUoo4esw4wXdKV-W4q0q4rFS3azO98sKA/s3089/21260031.TIF" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmcC0Cuhb1dfwFnP9QH8-tXyzaC0sHhTHXjn2k2fqAraUAPUcbfgPo3reN1pmykYLNmwfT4031cWkmmxWpOemGSqoqK74nvBU3BwCmcu8Tf_Jn0JpwlOO0GZPPsSs6AzoU9J5G2VoDoAbWt-2E7F9blrfJW7jUoo4esw4wXdKV-W4q0q4rFS3azO98sKA/w640-h424/21260031.TIF" width="640" /></a></div><br /><p><br /></p><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-17767152468257649532023-10-27T01:00:00.003+08:002023-11-12T03:45:19.283+08:00人聲名片採集計畫01<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdghjP82xC6LoddJdP49E5V4oiIwEEo_vZL1DQ4c5AN0dnFVCZeuwREkrmdbQdp3icOyxS0cszuIaSgD3w4WM2tt_yakt9LKokxWpBn3lDxTUgLyoFNDbg2S_AffrgD5VL1H1jny1FiHTNm-yo_ILQvS6nozTGzBb48st8cBn4dgKRDlhqO3lyq8XWKEQ/s1800/81330020_crop_rs.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1193" data-original-width="1800" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdghjP82xC6LoddJdP49E5V4oiIwEEo_vZL1DQ4c5AN0dnFVCZeuwREkrmdbQdp3icOyxS0cszuIaSgD3w4WM2tt_yakt9LKokxWpBn3lDxTUgLyoFNDbg2S_AffrgD5VL1H1jny1FiHTNm-yo_ILQvS6nozTGzBb48st8cBn4dgKRDlhqO3lyq8XWKEQ/w640-h424/81330020_crop_rs.jpg" width="640" /></a></div> <span style="color: #666666;">UltraFine 100(Lilai294721_8133),天龍寺,京都嵐山,今年二月最底。<br />雪後的冬日還冷,遊人寥寥,拉門退盡的敞亮廳堂裡外大孩小孩奔跑交朋友。</span><p><br /> 一茶俳句說:</p><p><span style="color: #999999;">「 </span><i><span style="color: #999999;"> </span>雪融了,<br /> 滿山滿谷都是<br /> 小孩子<br /></i> <span style="color: #999999;">_</span><br /><i> 雪とけて 村いっぱいの こどもかな<br /></i><i> </i><i>yuki tokete/ mura ippai no/ kodomo kana </i><i> </i><i>(1814) </i><span style="color: #999999;">」</span></p><p> 十七個音節的打油詩,色彩和聲音都好豐富的場景。說不定一閃而過的文字畫面感確實過了心,迫使那個身處當下和打開底片掃描圖檔的決定性時刻,縱使是個憂鬱的天色和銳利的黑白構成,聯覺了某種歡樂氣氛。<br />
週末剛和京大旅居一年的朋友約了茶,翻閱照片(紙本5x7")時經過此張(,才剛想說啊我超喜歡那個屋頂的雪擋和整個場景的幾何感),她凝視兩秒忽然問「這是天龍寺吧?」,翻背面看地點標註果然是,莫名其妙就很樂,笑了很久。一個不知所謂的會心瞬間,也是另一種一期一會。<br /></p><p style="text-align: left;"> <span style="color: #666666;">_</span><br /></p><p><span></span></p><a name='more'></a><p> 一星期前在老同學K家,體驗了宅錄設備的收音和即時編程,覺得隔行如隔山,隔壁山頭的世界也很有趣。K是個善感的人,幾次的茶約天時地利,剛好被我的祈福梵唱觸動(情不自禁流出眼淚的那種),同是古典鋼琴出身(好早以前時常聊到音樂喜好心有戚戚)加之專業使然(又或懷著對情緒的困惑),慢慢衍生了一個採集真實聲音素材的念頭。<br /> 當前的世界充斥著太多現成物,無論來自前人或程式、抱持感謝或相對輕忽,雲端推播或線下促銷手段頻仍,各類物質和多巴胺懸浮。我們都太容易取得和利用它們:拼貼重組、摹寫改進、再詮釋,所謂創作好像更觸手可及了,同時又更虛幻。那個虛幻一部分在於價值感(或說既定價值的落差),另一部分約莫是對象的困惑,從何而來、即將前往哪裡,更貼近誰、是否想被歸類和定義,想遵守哪個規則、玩什麼等級的遊戲?<br />
如果回到原點的自己(或創作本身),好像又不該是外面懸浮的那些。</p><p>
早前我對K說,獨立在外面租房子生活許多年,習慣了那些「禮貌」的表象之後,我很少在回聲最棒的洗澡時(還有樓梯間)唱歌了。人類的傾訴本能,在眼下的生活中,大概率會在瑜珈課堂中,以吟唱咒語的形式——不分辨共鳴的位置、不預設旋律走向——自空白的氣氛裡生成。那多半很誠實,有時我唱完一個段落,會直接覺得溫暖或平和;有時覺得唱得真不怎樣呢,嘖嘖嘖嘖嘖。<br />
身為一個包袱山大的成人(指我),時常端架子,很難徹底鬆弛下來,去忠實呈現懶散的、陰暗面的、不學無術的——或說對外揭露的,也已經是設計好的框架下的產物,不涉及弱點的那種——長久以來把「藏」當作樂趣,都成習慣了。共生於群體,周圍旋繞的期待值必然形塑了一個「我」的外相,演示「得體」,自在而端方,我以我為榮的樣子,亦可能是一種偽善。<br />
我想所謂「人聲名片」這個概念,它確實包含了一種對內和對外的意涵。譬如裸體的自己和選擇穿戴什麼行頭的自己,素顏和化妝,非得誠實和想要包裝成為的樣子。 <br /></p><p>
暫定應是有旋律的:無引發的乾音、稱誦咒語、標的場景設定、碰鈴指引的推進感、和弦直覺和聲、完整編曲的引子,等等若干的挖掘和嘗試,加之中間有的沒的亂聊天。像在玩耍,或試圖摸索路徑,與喜歡的人一起度過一段小時光,很溫馨。K身上有種貼切的母性,對人有愛的、有希望的,偶爾略婆媽的(笑)——相對於當天低情緒且麻木(確實沒有表現得很好)的我,有種被包容接納的溫暖,毛絨絨的,很感恩。<br />
自己與自己說話久了,加入一些無預設的、被動回應的練習,或也是一種新的可能性吧。各自簡單地感想分說以後,K為多個散漫的旋律單位做了概略兩個主題的分類總結(完全是工設實事求是的家教啊哈哈哈),也為下次工作設定了大致的方向和內容,雖然暫且不能明確「名片」的定位、用途和結果,卻是一個很棒的過程。包含「不能明確」的這個事實,也都是持續找尋的魅力之一。</p><p>
不管如何,開啟一個新的支線,看到他處的光,是一件很棒的事情。<br />
謝謝K,後續也請多多指教。</p><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-50803863075262524382023-10-11T02:26:00.008+08:002023-10-13T01:34:19.474+08:00關於線性敘事<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj_eTr_z4Mo6XUbMEYSWLAbIFUNumigi7rnAgJJa3qKckLW3Oqm_DOHhxWWM45jZ9nU-K60H4VzFvaDsEYfZm_4Q7PaMkNDyB3NboHKiBEhQB-jeWiIINEHulgec3aVBprxCXPn9NPb4-3HCZvCkrllyan-Tk1zAg4sCDqcoWmQpMZXVnUff_MdqWD1Og/s3898/882100_03,04.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2909" data-original-width="3898" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj_eTr_z4Mo6XUbMEYSWLAbIFUNumigi7rnAgJJa3qKckLW3Oqm_DOHhxWWM45jZ9nU-K60H4VzFvaDsEYfZm_4Q7PaMkNDyB3NboHKiBEhQB-jeWiIINEHulgec3aVBprxCXPn9NPb4-3HCZvCkrllyan-Tk1zAg4sCDqcoWmQpMZXVnUff_MdqWD1Og/w640-h478/882100_03,04.png" width="640" /></a></div><span style="color: #666666;">Fujicolor 100(Lilai306815_8821),新北市美術館,鶯歌新生地。<br />底片前後張,某週五機車微旅行,七月熱烈,曬人成乾。</span><p></p><p><br /> 錯過正暑假,六月底和九月初,分別回了一趟埔里。三四天的時長恰好,不全用來奔波,對於既定運行的軌道又不致於太打擾。塞好塞滿還能容納幾個日常以外的會面,或被交代收拾一些昔(歷)日(史)餘(小廢)暉(物)。<br /> 從蟻群攻佔的床頭櫃中收出好些遺忘的碎片,撲滿荒煙蔓草的來時路途。直笛、長笛和曲笛,整罐的玻璃彈珠、星星和紙鶴混著上課流轉的便條,當成寶貝的種子和葉子、貝殼和石頭,座機時代的手寫通訊錄,點狀分佈若干年歲卻終究扶不上牆的日文教材、書法習字冊、大批毛線棒針還有半成品們......簡直。日記、作品集和書籍,那些堪堪可以收束也可以被量化的日子都按部就班地排在架子上了。堆積在櫃子裡,不論擺放得多麽齊整,都是雞肋吧。</p><p> 如此,同擱置在存稿目錄裡的主題,倏忽即逝兩個月。<br /> ——想說收出來一封二十年前的手寫信來著:我爹諄諄的,告誡一個玩物喪志的孩子,小聰明不總是管用,才藝當然可以自娛,自律卻有其必要云云等等。就寫在我娘高中物理習題A4廢紙背面的三頁小作文,直行書寫筆勢優美,段落八股起承轉合,緣起祝語皆備,應用文體範本。——<br /> 難得回首旁觀得知,我原來是這個樣子,被看顧督促著長大的嗎。</p><p><span></span></p><a name='more'></a> 放著那些凝滯的細微的鮮活的感想,外部身體倒是停歇不得,持續流變著。<br /> 妳往返花市花課許多趟成就或大或小或滿足或無感的花作,在器上試燒了若干新釉覺得其中兩款似乎不錯,匆匆走過一個寧靜的小院、重複一片海、雲集多國的茶碗、可愛心意的陶器、號稱藝術家的十年、馬戲空間還有賽博龐克,比方從史料中截取畫面拼貼的慾望、漂亮的肉體自身、還有五光十色。妳不知道妳該抱怨疲倦還是欣喜充實,隨身筆記始終無法完整地定焦一個完整感受陳述,總是帶過。<br /> 看起來又見鬼地豐富。 <p></p><p> 再過幾個時間段落往回看,約莫又是另一個破片堆堆,考古遺址。——不好說那個未來當時,又有哪個碎片將被提取出來,格外珍視。<br /> 新學期的創作論述課說,上個十年藝術圈圍繞小確幸的「日常」著墨,而跨過疫情,目前的趨勢似乎落在了宏觀的「萬物」主題。我覺得以潮流解讀焦點,著實有趣。蒙太奇的時代、科技先決的時代、分眾的時代,誰都需要誰的同溫層和小圈圈,以此認定自己存在。<br /> 然而於我而言,有恃無恐的「存在」或許不涉及也不動搖根本。沒有慕強心理又缺乏合群(或繁衍)意識,「意志力」大概才是我的人類版圖真正的課題。動能和方向啊,存貨稀薄也。 </p><p> 再次扯得遠了。<br /> 經歷一個比較極致的創作峰值感傷,幾個批判性談話和溫馨的會晤,決定把石頭計畫的主線任務先放放,做做無關緊要練習維生的支線商品,分擔無能為力的憂愁。我想我真擅於混沌搓圓,擺爛就擺爛,還有許多大道理自洽。<br /> 過了秋分、中秋、寒露和國慶連假,在終於壓線送出照片,尚未完結的今日,出清累月之思。給他人也給自己祝辭:願創作之路途有曉風吹拂、雨水灌溉,願有光、有坎、有彩虹。</p><p> </p><p><span style="color: #777777;">如果迷茫,去聽聽這些始終如一的人們。足夠荒謬和堅定,或更能夠自我解脫。<br />《嫦娥》/ 伍佰與China Blue<br /><br /></span></p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="370" iframe="" src="https://www.youtube.com/embed/ULds1tDKjjw?si=N9-nRYgxvT0FMXcT" title="YouTube video player" width="650"></iframe>
letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-40372503544792624012023-07-12T03:42:00.006+08:002023-07-14T00:03:12.976+08:00小暑幾則<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4xHGwJnJRX22gMpiF8WrU0SPnlUM4b47XRGFP-0BdeZ_QLsUM6G_IE0vrnBKI9RKk9l-PK1OdUoFQpi-YcZljRKj2j-1_KsDfv24_2eUvb0RgeKsmo52sYyNihL-qxp4lxzDlwldXas1GIr2jXliA463vL0qBUmnuiRLNiYfU80TEn7CRZK5TP-yGK1c/s3089/40590031_.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4xHGwJnJRX22gMpiF8WrU0SPnlUM4b47XRGFP-0BdeZ_QLsUM6G_IE0vrnBKI9RKk9l-PK1OdUoFQpi-YcZljRKj2j-1_KsDfv24_2eUvb0RgeKsmo52sYyNihL-qxp4lxzDlwldXas1GIr2jXliA463vL0qBUmnuiRLNiYfU80TEn7CRZK5TP-yGK1c/w640-h424/40590031_.jpg" width="640" /></a></div><span style="color: #777777;">fujicolor 100( Lilai301989_4059),夏至和小暑中間,寶藏巖十字廣場,公館後面,臺北市中正區。<br />久違的城市邊緣,</span><span style="color: #777777;">在好熱的一個下午,</span><span style="color: #777777;">地偏心遠風涼,謝謝學妹的畢業個展帶我前往故地小遊。</span><br /><p></p><p><br /> 過了端午,問神下半年臺北生活指點,抽到一支下下籤,概曰此前繁華既去,諸事徒勞,宜低調做人以守為進。很好的告誡,著實太飄了一點,腳踏實地很有必要。</p><p> 切花難養的季候,再新鮮採下的花兒,都不敵三十幾度的高溫啊,綠葉也未見好活。春天開始的花器應用展示計畫,進入另一個苦夏紀元,希望別太早夭折。<br /> 南面窗前,乾癟沉睡了整個冬春的山烏龜球根,在抽芽以前肉眼可見地膨脹起來。朝向炎熱的日光,以五六日一片小圓葉子的頻率瘋長。夏日新計歲法,嗯,就要滿六片葉子啦。</p><p><span></span></p><a name='more'></a><p></p><p> 身在一個同溫層壁厚非常的時代,又或者反過來說太需要協作聯合的時代,我越發著迷那些反人類抱團的行為。換句話說,即一個人能夠獨立完成,頗有些自閉性質的那些工作或學問。<br /> 往後大概還有稍長一段不很合群的狀態,需要與現實持續拉扯。微社恐或戀物癖之類,well,雖然有些違反社會價值,姑且不致於太脫離常軌。畢竟再如何狷介,貨幣經濟仍是基礎,時間也存在客觀意義,夸父逐日還需適可而止。<br /> 且走且看吧,我其實有些捏不準。看不見現行的計畫會朝向哪裡,然而未知本身就很有趣。</p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-87685551744806230052023-06-22T03:54:00.011+08:002023-06-23T21:59:18.609+08:00空空和念念<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB45raiHVD1ZN-2UIJKXRvB2OvOopTAQGjWWPhBBqHVewtzDC0U_YBat0C-AkCiXKVpIHo_ejswR9J4UR3qokLTy3Jq1P9OGzSsgHGo_SYBxFsR9Vr-WpKO-SWawu2nKeULHAcisCrn3TX6Xk8L2YQMD1DostKPzrj-fuDWbT9_8q-yvUAAsuFDUNelew/s3007/73530018_crop.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3007" data-original-width="1994" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB45raiHVD1ZN-2UIJKXRvB2OvOopTAQGjWWPhBBqHVewtzDC0U_YBat0C-AkCiXKVpIHo_ejswR9J4UR3qokLTy3Jq1P9OGzSsgHGo_SYBxFsR9Vr-WpKO-SWawu2nKeULHAcisCrn3TX6Xk8L2YQMD1DostKPzrj-fuDWbT9_8q-yvUAAsuFDUNelew/w424-h640/73530018_crop.jpg" width="424" /></a></div><span style="color: #666666;"><span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Fuji X-tra 400<br />(Lilai294720_7353),<br />安井金比羅宮,日本京都。<br />石頭公道祖神旁邊,彼時應季的梅花,二月中旬某個夕陽時分。 </span></span><br /><p></p><p><br /> 過期末,補失落的進度,學業和工作這些必要以外的:人情、書單、故事交換云云。前幾天去看延遲好久的鈴芽<span lang="ja">すずめの戸締まり</span>,西門町早場空遠,散場小貓一二,陽光熾烈。<br /> 一個好的作品,大概就是妳經過了一連串語言退隱的瞬間,不見得能提供什麼回顧的線索或深刻的討論,然而想再次踏入這個旅程。不知道大家在同樣被關起來的兩個小時內經歷了什麼,或者那種各自表述的包容和對接,就是電影的「常世」吧,所有時間和逝去的事物共同存在的地方。此前太忙,相遇太遲,不知道下片之前我會不會被腦內的主旋律和風景淹沒,再去被關幾次。</p><p><span></span><span></span></p><a name='more'></a><p> 讀京都學派的課堂講述輯,在門內外徘徊的失重感。偶爾覺得哇真是太有洞見我喜歡這個說法,多半頭昏腦脹邏輯混亂。實體和非實體的關係,比較哲學(宗教學),絕對無和動感的空,自然運行的純粹力動,嘛,我嚮往的神神叨叨的世界。對康德先生老子先生西田幾多郎先生抱持好感,卻可能終將無法成為朋友。<br /> 夏至這天過午,往南下鶯歌,三個月不曾拜訪的陶瓷廠,既然生疏了就得帶點吃的,禮多人不怪。多日未見,一支釉已經改良完成生產交貨了,還好有些我熟悉的形制還在線上,馬卡龍色系馬克杯、釉下花紙骨灰罈,不致於失聯太久。似是而非地被阿姨們碎念不顧情義太過客氣話說得漂亮不如多來幾趟,就很溫馨,真實生活和家鄉中間的另一個歸屬地。<br /> 還有幾個說好的茶約,還有幾封手寫信,還有幾位神明拜謁,還有家要回。暑假開始了呢,可喜可賀。</p><p> 直視前方的時候,許多日子伴生的小災小難不屑一顧,重新撿起來分類善後,太需要耐心。蟲害、機車後車廂打翻了拿鐵、氫氧化鈉散溢出來的結晶、壞去的噴頭止不住的萬能膠痛苦搓洗了半小時的手,亂買花買零食的負債啊,上一個週期的經痛啊,待洗的兩雙布鞋一床被單啊,漂亮或雞肋的文宣和文字啊,一摞一摞小廢物。<br /> 夏令時間適合暴力花作,用各式各樣的大片綠葉攏成一束,再剪一支大花,斜斜插在其中。當機立斷,逢者便殺,內務恕不能猶豫的除厄祭。</p><p> 端午節快樂。<br /></p><p><br /></p><p><span style="color: #666666;">從高台寺下山,散步回祈團。等一個過街的紅綠燈,看一個無色大鳥居上寫道:惡緣切良緣結,魄力十足的樣子。步行進入結界,人口熙攘的神社,竟只我們一組外國來客。<br />緣切緣結的儀式,要鑽過正殿前大石碑的洞再鑽回來(貼滿許願紙條的石碑外形有點像大象溜滑梯),排隊老長,什麼年紀都有,不曉得誠心和遊戲心佔比如何。可能人間除了求取新的羈絆以外,難得的是捨棄羈絆吧。</span><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuudmi68P6-9dM5BBax9ZPfgp1YsM3ceuSw1SQV0eQG0rgUaKWMt8W2MSa0wwm2Juh1aXlPIniDK3DKmAK3OWYCBrtTQfqYpgfnma0B1JVIWvet5YSeRZHjqabClOv4lU4-P1AuHRHPAbtrBVG3Gfmli6eg92Pks7Wc4H3gGAabn5rdRrZIlmbvf_shjE/s3089/73530016.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuudmi68P6-9dM5BBax9ZPfgp1YsM3ceuSw1SQV0eQG0rgUaKWMt8W2MSa0wwm2Juh1aXlPIniDK3DKmAK3OWYCBrtTQfqYpgfnma0B1JVIWvet5YSeRZHjqabClOv4lU4-P1AuHRHPAbtrBVG3Gfmli6eg92Pks7Wc4H3gGAabn5rdRrZIlmbvf_shjE/w640-h424/73530016.jpg" width="640" /></a></div><br /><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-60878328522480040682023-06-20T03:02:00.011+08:002023-07-03T15:15:05.192+08:00公竟渡河 / a long walk II<p></p><p><span style="color: #666666;"><span style="font-size: small;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #666666;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsREFRvU0Gzm46pEajJ1wi1Kn_FJLfjwWyKZKkekgiVPTP-6w7NBQiY4gjFN8IZd3dhGTNer5PxWbtX1L1otmC0ZxUKlozSFAmbRURfxhRTU4s4JIX_l-i4GVtyEA5PK38SpNn-jsnN3LqFp6dtodOCQzQsBaR0Naf2OxoZRj9dg7R6dH6kkvvkyZLIlg/s1749/%E5%85%AC%E7%AB%9F%E6%B8%A1%E6%B2%B3_pc2.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1241" data-original-width="1749" height="454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsREFRvU0Gzm46pEajJ1wi1Kn_FJLfjwWyKZKkekgiVPTP-6w7NBQiY4gjFN8IZd3dhGTNer5PxWbtX1L1otmC0ZxUKlozSFAmbRURfxhRTU4s4JIX_l-i4GVtyEA5PK38SpNn-jsnN3LqFp6dtodOCQzQsBaR0Naf2OxoZRj9dg7R6dH6kkvvkyZLIlg/w640-h454/%E5%85%AC%E7%AB%9F%E6%B8%A1%E6%B2%B3_pc2.png" width="640" /></a></span></span></div><span style="color: #666666;"><span style="font-size: small;">暫且不加入其他現場影像側錄,作為6/15期末評圖的線上備份——<br />謹在此放置石頭計畫階段性主題【公竟渡河】,文字概念和錄像。</span></span><p></p><p><span style="color: #999999;"><span style="font-size: small;">_ <br /></span></span></p><p><span style="color: #999999;"><span style="font-size: small;">一個交換石頭的計畫,圍繞「他」、「我」之分別與平衡,在生命的河中間發生與找尋。即便徒勞,也是一個有來有往的擺盪。本次展示以階段性預演之紀錄為主。<br />/ 作品規格:按展示現場<br />/ 媒材:錄像、圖文手札、礦物實驗標本、陶作物</span></span><span style="color: #999999;"><span style="font-size: small;"></span></span></p><p><span style="color: #999999;"><span style="font-size: small;">_<br /></span></span></p><p></p><p>
</p><p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"><br /> 命題來自漢樂府、以箜篌彈撥伴奏的〈相和歌辭〉:「<i>公無渡河!公竟渡河!渡河公死,當奈公何?</i>」狂人在前,妻子追後,大喊著哀求你別渡河啊!你怎麽就渡了河呢!你就這樣掉入水中淹死,我又能拿你怎麼辦呢?</span><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: Helvetica; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> 少時讀到此節,覺得直譯白話荒謬而幽默,不能理解狂人既已知其不可,被喝阻卻仍執意前往,類同激情自殺的故事。然而年歲漸長,卻開始欣羨那些世故之後權衡之下,還能一往無顧的追求。天真或初心,執著的念想,有時帶有某些宿命意味,或一定程度的悲劇性,總會讓人反照自身,去凝視那些接近信仰、甚至重逾生命的東西,覺痛且快。</span><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: Helvetica; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: Helvetica; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"> </span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> 行走「道」上,公已渡河。</span><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: "PingFang TC"; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> 誰人活著,不似摸著石頭過河?無論道路曠直還曲折,肉身存在於此刻此地,即便被同樣的時間與空間束縛,其中卻有恆河沙數的諸般可能。佛說一彈指六十剎那,一剎那九百生滅,妳以為的石頭或河,有其他平行世界的三十二億百千樣各自獨立的形制,我時常被這樣龐大的數字動搖,繞到其他地方兜圈子。——還需要順回來定個錨點:</span><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: "PingFang TC"; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><b><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> 「道(指稱信念或信仰)」如摸著「石頭(泛指行走間所遇種種)」過「河(當下時空環境)」。</span></b><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: "PingFang TC"; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> 追求「道」,或者是堅定的,或者是徬徨的,或者閉塞,或者開闊,都在行動裡應證與顯現,是動態的平衡。在此,我借一個「河」上交換「真實石頭」的行爲,去隱喻且致敬這個持續的內化過程。</span><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: "PingFang TC"; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p><p>
</p><p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> 不論前路清澈或朦朧,公已渡河,便隨遇隨喜:擺蕩於河,且浮且沉。</span></p><p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span style="font-family: SimSun; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt; mso-hansi-font-family: "Times New Roman";"> </span><span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 11.5pt; letter-spacing: 0.3pt; line-height: 115%; mso-bidi-font-family: "PingFang TC"; mso-fareast-font-family: SimSun; mso-font-kerning: 0pt;"></span></p>
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<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic",sans-serif" lang="EN-US" style="font-size: 11pt; letter-spacing: 0.3pt; mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt;"><span></span></span></p><a name='more'></a><span style="color: #999999;"> </span><p></p><p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small; letter-spacing: 0.3pt;">_</span></p>
<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;"> 以</span><span style="color: #999999; font-size: small;"><b><span face=""Yu Gothic",sans-serif" style="mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt;">我石</span></b><span face=""Yu Gothic Medium",sans-serif" style="mso-bidi-font-family: "PingFang TC"; mso-font-kerning: 0pt;">換<b>他石</b>,作<b>「他+我」石</b>。分別敘述:<span lang="EN-US"></span></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l0 level2 lfo1; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 304.8pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">我石:固定形樣的燒結陶作,現在進行式的我。會帶到選定的「河(限定自然環境)」,留在其中。<span lang="EN-US"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l0 level2 lfo1; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 304.8pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">他石:在「河」上實時交換得來,原生環境中的石頭,將</span><span face=""微軟正黑體", sans-serif" style="color: #999999; font-size: small;">於</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">攜回</span><span face=""微軟正黑體", sans-serif" style="color: #999999; font-size: small;">之後</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">記載、編號於手札「他石譜」。<span lang="EN-US"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l0 level2 lfo1; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 304.8pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">他+我石:由他石與新作的我石,熔融煉製成一顆全新的石頭,作為行為的結果。</span></p>
<p class="MsoNormal" style="line-height: 115%; margin-top: 3.6pt; mso-layout-grid-align: none; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: "Times New Roman", serif; font-size: small; letter-spacing: 0.3pt; line-height: 115%;"></span></p>
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{margin-bottom:0cm;}</span></style></span><p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;">_</span></p>
<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;"> 介於上述物件的連接,有不同的媒材與紀錄方式:<span lang="EN-US"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l0 level2 lfo1; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">交換:在選定的河所作的過去進行式,以錄像</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">時</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">實呈現。實地預演之後覺得很像交錯著不斷播種併收成,既捨又取。<span lang="EN-US"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l0 level2 lfo1; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">現象記載:紙本圖文手札,預設由灰階代針筆書畫石頭的顏色、<span lang="EN-US">1:1</span>三視忠實表現</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">量體和紋理</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">,作為他石的履歷(或一時的頭像)。<span lang="EN-US"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l0 level2 lfo1; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">實體紀載:疊著不可預期和可預期的元素,經過窯溫洗煉,如同重新回到岩漿(<span lang="EN-US">1200~1300</span></span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;">℃</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">)狀態,迎接未知樣態的結論。<span lang="EN-US"></span></span></p>
<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;">_</span></p>
<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;"> </span><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;">當前進行</span><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;">範圍與注釋:</span><span face=""Yu Gothic Medium", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">「他」「我」二元:內化一個主體對應客體的相對性,暫不發散客體世界內容物。即不增加第三者,先屏除多元的可能性,</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">保留運行中的主觀意識</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">交換和記載行為:暫定線性進行,不循環發展。<span lang="EN-US"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">實體媒材:以燒陶為手段,土與釉的性質恰能在地球科學和真實礦石的實驗上,保持「摸著石頭過河」諸多可能性的</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">詩意和</span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">精神象徵。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">燒製尺寸:先以<span lang="EN-US">3-5cm</span>立方為主,一方面這個大小不違反自然物撿拾,另一方面則利於實驗、控制礦物在窯溫中的反應。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;">_</span></p>
<p class="MsoNormal" style="line-height: 14pt; margin-top: 3.6pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-justify: inter-ideograph;"><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;"> </span><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;">發展與未來期望</span><span face=""Yu Gothic Medium", sans-serif" style="color: #999999; font-size: small;">:</span><span face=""Yu Gothic Medium", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">所謂「河」與地域的行走藍圖。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span style="color: #999999; font-size: small;"><b><span face=""Yu Gothic",sans-serif" style="mso-bidi-font-family: 微軟正黑體; mso-font-kerning: .5pt;">摸石頭過河;寫經度日</span></b><span face=""Yu Gothic",sans-serif" style="mso-bidi-font-family: 微軟正黑體; mso-font-kerning: .5pt;">:加入私設經書字元的書寫和誦讀,對應釉色數量和種類。</span><span face=""Yu Gothic",sans-serif" lang="EN-US" style="mso-bidi-font-family: Helvetica; mso-font-kerning: .5pt;"></span></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">計畫和展演:尋求下一階段補助或分化為更完整的研究專案。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">表演藝術(劇場)的可能性,增加我以外的現場參與者或觀眾,從二元拓展至多元協作。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">更大的尺寸規劃,如愚公移山或女媧補天。</span><span face=""Yu Gothic", sans-serif" lang="EN-US" style="color: #999999; font-size: small;"></span></p>
<p class="MsoListParagraph" style="line-height: 14pt; margin-bottom: 0cm; margin-left: 42.55pt; margin-right: 0cm; margin-top: 3.6pt; margin: 3.6pt 0cm 0cm 42.55pt; mso-layout-grid-align: none; mso-line-height-rule: exactly; mso-list: l1 level2 lfo2; mso-para-margin-bottom: 0cm; mso-para-margin-left: 0gd; mso-para-margin-right: 0cm; mso-para-margin-top: .3gd; tab-stops: 28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt; text-align: justify; text-autospace: none; text-indent: -18.55pt; text-justify: inter-ideograph;"><span lang="EN-US" style="color: #999999; font-family: Wingdings; font-size: small;"><span style="mso-list: Ignore;">n<span style="font-family: "Times New Roman"; font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variant: normal; font-variation-settings: normal; font-weight: normal; line-height: normal;"> </span></span></span><span face=""Yu Gothic", sans-serif" style="color: #999999; font-size: small;">商品化或收藏形式討論。</span><span style="color: #666666; font-size: small;"><span> </span></span></p><p class="MsoListParagraph" style="line-height: 14pt; margin: 3.6pt 0cm 0.0001pt 12.79pt; text-align: justify; text-indent: -18.55pt;"><span style="color: #666666;"><span style="font-size: small;"> </span></span></p><p class="MsoListParagraph" style="line-height: 14pt; margin: 3.6pt 0cm 0.0001pt 42.55pt; text-align: left; text-indent: -18.55pt;"><span style="color: #666666;"><br /></span></p><p class="MsoListParagraph" style="line-height: 14pt; margin: 3.6pt 0cm 0.0001pt 12.79pt; text-align: left; text-indent: -18.55pt;"><span face=""Yu Gothic",sans-serif" lang="EN-US" style="font-size: 11pt; mso-bidi-font-family: Helvetica; mso-font-kerning: .5pt;"></span></p>
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<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="370" src="https://www.youtube.com/embed/3ORA1lidyV8" title="YouTube video player" width="650"></iframe> </p><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="370" src="https://www.youtube.com/embed/YD-7d2VMecE" title="YouTube video player" width="650"></iframe> </p><p>評圖後筆記二點:</p><p>一、主線任務和伴生的支線需要區別開來,不互相擾亂。<br />二、去相和還相的解釋:追求固然是出世的,然而目的卻是入世。</p><br />letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-85156247773870383842023-05-24T07:24:00.008+08:002023-06-20T03:14:10.224+08:00枕石漱流<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyJc8Lo86IUgOwDJi9DYZj92mhc1RHQ_Pw3KVUhBcqaQKl0vCByu8cb8A87Ue6cCzZZV_Lx2oEMcMdpxsW87NfOXDY3HGbJN1XwuqSWPGnu5iqbfhPcM6BUkIB4EZgBUfiJGhiQNyX95cbTFriu2AlqUE1TajsiSAisopHd_SRHqLoLHo6hcLXETQf/s2917/81340006_crop.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1934" data-original-width="2917" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyJc8Lo86IUgOwDJi9DYZj92mhc1RHQ_Pw3KVUhBcqaQKl0vCByu8cb8A87Ue6cCzZZV_Lx2oEMcMdpxsW87NfOXDY3HGbJN1XwuqSWPGnu5iqbfhPcM6BUkIB4EZgBUfiJGhiQNyX95cbTFriu2AlqUE1TajsiSAisopHd_SRHqLoLHo6hcLXETQf/w640-h424/81340006_crop.jpg" width="640" /></a></div><span style="color: #777777;">ilford delta 3200( Lilai294721_8134),三月一日,頂法寺六角堂,日本京都。<br />五色旗濾去顏色之後成為深深淺淺的灰,大風吹著。侍神的爺爺更新奉納名錄,鴿子咕咕咕。</span><p></p><p><br /> 又一個在茶席上驚醒的清晨,難得不昏聵的時刻,聽窗外麻雀啁啾。其實也不那麼驚的,陋習誤人誤事,都如常了——夜半疲倦襲來但是沒做完本日預定功課,便想著在席上瞇會唄,結果按掉鬧鈴繼續睡下去,轉眼就是另一日。<br /></p> 立夏到小滿,像壓縮進一個異空間,好像松鼠囤積過冬的松果,走幾步掘地埋幾顆。節氣上入了夏,臺北卻還在春日裡拖沓,冷熱未定,乾溼不明,讓人老是界在過敏和感冒之間,亞健康狀態。日子很快,但又廢得剛剛好不多也不少(跟近期月光的收入一樣煩躁)。茶沒喝幾次,線香盤香耗得很。在認真工作時平靜、在長程的騎行中平靜、在海邊平靜,偶爾有時間唱唱經。其他時候節奏快到幾乎走板,過手即脫手,像一個賭徒。<p></p><span><a name='more'></a></span> ——又說不上來到底做了什麼,瑣瑣碎碎,沒能整理完全。松果不知何處尋。<p></p><p> 間隙有些活膩了的灰色思想,而我覺得那是非常正向的,為了讓自己不覺得無聊,理當傾盡全力。時間都是會流過去的,生命都是會流過去的,沙漏上面的那端是只會少不會多的,因此,別虛度。<br /> 還就是個分岔少不了,murmur越積越多的春末。</p><p><span style="color: #999999;">_ <br /></span></p><p><span style="color: #999999;"> 分享一首歌,某個夜晚聽哭我的。<br /> 中島美嘉《曾經我也想過一了百了》,歌詞穿心而過,演唱會現場的版本是另一種動人。</span></p><br />
<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="330" src="https://www.youtube.com/embed/AabAbM_Lmuo" title="YouTube video player" width="650"></iframe>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-72560652120604492332023-04-03T20:05:00.009+08:002023-04-05T01:18:34.700+08:00摸著石頭過河<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-y_ADuzrBMFDkEzaRxcwJHZaEncM4oyWEtaQa95Tzz5DZXFvwcy6_9dMA6QCMncTPp7QMQEqCVzHgrqOn7mhJkgSp2oKbO3sCAgB6eHfKVdW_0oZMFfwNi0pZIc9AXG-7hImNpCEBongXhXcwCjj0WdN8_9Pxzq5TfVy5_fJMOTxF_NzxnTmjiI1O/s1800/73550004_crop_rs.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1193" data-original-width="1800" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-y_ADuzrBMFDkEzaRxcwJHZaEncM4oyWEtaQa95Tzz5DZXFvwcy6_9dMA6QCMncTPp7QMQEqCVzHgrqOn7mhJkgSp2oKbO3sCAgB6eHfKVdW_0oZMFfwNi0pZIc9AXG-7hImNpCEBongXhXcwCjj0WdN8_9Pxzq5TfVy5_fJMOTxF_NzxnTmjiI1O/w640-h424/73550004_crop_rs.jpg" width="640" /></a></div><span style="color: #666666;"><span>Fuji 業務用 100(Lilai294720-7355),樂美術館,西陣地方,日本京都。<br />早晨拜訪這個家族小美術館,入口處要脫鞋子,迎客的木偶中間插了一枝鮮採的茶花。 </span></span><br /><p></p><p><br /> 旅行回來滿月了,雖然已經燒了幾個窯,沒什麼實感。庸庸碌碌,隨波逐流,心悠悠不知何所。<br /> 大概還有一些餘蔭吧,被北國的八百萬神佛庇祐,不致於出大差錯。觀音在觀音的山上,罌粟在罌粟的田裡,我還在我的既定生活中。如此萬分感恩,汲汲營營地勞作著。<br /> 説説夾在春假中的昨日。 <br /></p><p> 固定通勤基隆的星期天,城市裡人車稀少而高速公路相當堵塞,連假早晨,大概想玩的人們都在路上,耍廢的人還在被窩裡。抵達十五樓眺望基隆港的教室,看延向海的山岬前,泊一艘我不曾見過的大遊艇,深海軍藍艦身,白色窗格子,素淨而莊重的配色很氣勢。前一天港口下過大雨,天高地闊的陰天,灰白的雲層距離地面很遠。<br /> 小貓二三的到課率,固定一起練習的夥伴知己知彼,於是嘗試久違的慢步調帶領。瑜珈古老的體式很迷人,在轉換間容易體察脈動和呼吸,停留則能夠關照生命的深邃和極限,説是能量的遊戲也無不可,人總能夠在自身當中找到各種樂趣。<br /> 過午之後教室滿載,雖然領課的心態依舊悠閒,不過更多經驗和慣性運作了:備課預定的流程、想要分享的內容、可期的體驗,不出所料,賓主皆歡。下課時風吹雲散,日光溫暖,遊艇還在原來的位置,方正不阿,頂上炊煙裊裊。走路往客運候車處,跨過海洋廣場附近童話節園遊,大人小孩歡欣鼓舞。</p><p><span></span><span></span></p><a name='more'></a> 交通中橫生枝節,刷手機發現乾兒子一家正在臺北玩耍。聽說下午在動物園看人類,晚餐打算回永康街吃媽媽心心念念的吐司利亞,理當能見一面。<br /> 我過去好幾年的生活圈啊,疫情期間街巷空蕩蕩,如今又熙攘,夜上涼爽的公園裡充斥過度精力充沛的小孩子。三五歲的小男孩即兩個小獸,興高采烈地融入這個夜色,大溜滑梯就像整個世界,樂此不疲。爸爸在旁邊看顧,媽媽和我走進旁邊巷子,給他們買答應了的冰淇淋。閨密喝了一點酒,整個人散發一種吉野櫻色的開心。<br /> 熟悉的地方,相知又遙遠的人,各自野蠻生長的樣子,偶爾交錯。哥哥乖乖走路,弟弟橫衝直撞,被兩個幼崽牽著拉扯的時候覺得非常微妙,像被小犬們遛,是很新奇的、很被動的、甘之如飴,又有些難為情的。妳不知道他們需要什麼,妳不知道能給予什麼,成人世界的交換規則不適用於小朋友,妳在這種無措矛盾裡,常被莫名其妙的偶發事件或語言逗樂。<br /> 難得參與一個年輕家庭的日常,觸碰一些很實在的煩惱與快樂,人間煙火溫暖。送他們走向停車場,步入加油站旁邊的大教堂,金色的加百列在塔尖吹福音,燈光美麗。我對興奮太過的小獸們說:要小聲一點喔,天使怕吵(噓)。<p></p><p> 附在奈良伴手禮,寫給閨蜜的小贈言說:願敬天、愛物,謙和,且自如。雖然仍是太虛無縹緲的祈文,卻是近日生命真實的觀悟。<br /> 創作計畫雷聲大雨點小地默默開始了,像是終於找到恰當的角落埋下第一顆種子,在海邊獨自坐了一會兒,摸回幾顆石頭。是個很美的海灘,夾在兩個雨天中間的太陽縫隙,我真幸運。後續可能會再去更多的地方,河谷、森林、火山或者其他海灘,遇見更多石頭。<br /> 薛定諤的礦物實驗,明天出窯才知道悶燒結果。盡人事聽天命,神明的籤詩斷言「盼望的人遲遲才會出現」,我覺得這個說法很好。活著不就是等著嗎,如意郎君不出現才是常態嘛,持續相信未來有光,即有所嚮。</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYe9S8L9BYujn0z3oDj_oBV4wdO5k5HNq-Y3hmHMuPllmgtGLwI4IgKzrsuRenv5ItgsavaHzaeJhzF2dFhILj1KbO54738PRscedzUfpEOC9SsNkvONFO7TO1PQgHwrFpEbTDVG3hlm98ifcE4LjMlaRJ2WqFTrC27zt6rOFlusIlGp2EuzCazA40/s1800/73550002__rs.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1193" data-original-width="1800" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYe9S8L9BYujn0z3oDj_oBV4wdO5k5HNq-Y3hmHMuPllmgtGLwI4IgKzrsuRenv5ItgsavaHzaeJhzF2dFhILj1KbO54738PRscedzUfpEOC9SsNkvONFO7TO1PQgHwrFpEbTDVG3hlm98ifcE4LjMlaRJ2WqFTrC27zt6rOFlusIlGp2EuzCazA40/w640-h424/73550002__rs.jpg" width="640" /></a></div><p><span style="color: #666666;">同一捲底片前面幾張,更早一點的時候,陽光讓窗格切割,拼貼在玄關牆上。</span></p><p><span style="color: #666666;"> </span></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-19898286230552645922023-03-27T00:11:00.004+08:002023-03-27T20:06:59.263+08:00花非花<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrO_T4ASMoYNkUKxfC2rg0XHz2YYoH6Yd107QRT6x9d8ieiyqAoLM17VSCw_nFvggL9CSs06U68jqlvp9C_W7tq4uzK0JArvPFWkbvOWz0ppHLp43J48x1-SHcJwCNI_ljaCcpkTrlQ4Y0GMbxUojQ6udEcM0V6aOvFUi7QOjGyowQ0Ux2tJ5Ah55o/s3089/81320024_.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrO_T4ASMoYNkUKxfC2rg0XHz2YYoH6Yd107QRT6x9d8ieiyqAoLM17VSCw_nFvggL9CSs06U68jqlvp9C_W7tq4uzK0JArvPFWkbvOWz0ppHLp43J48x1-SHcJwCNI_ljaCcpkTrlQ4Y0GMbxUojQ6udEcM0V6aOvFUi7QOjGyowQ0Ux2tJ5Ah55o/w640-h424/81320024_.jpg" width="640" /></a></div><br /><p></p><p><span style="color: #666666;"><span>Kentmere 400 B/W film(Lilai294721-8132),某個鞍馬山上有殘雪的傍晚,出町の飛び石,日本京都。<br />枯水期跳烏龜(和鳥鳥),濾掉顏色之後更空曠了,下鴨方向景致淡然。 <br /></span></span></p><p><br /> 最近一個星期,時間流速陰晴不定,大概是經前症候內分泌紊亂拖長所致。黑夜或白日,睡過去兩小時或十小時不等,偶爾陷入某些真空時刻,滑過一把不知所終——我是誰?我在哪?倒不盡的時差就像過季養不好的小手毬,有些毛茸茸一團可愛可愛,有些枯黑黑一球可憐可憐。<br /> 春分剛過,身心乍暖還寒著,被臺北善變的天氣和溼度迷惑。</p><p> 教學生涯裡頭一次早下課、被放鴿子的茶約、第一次跟學校瓦斯窯、久沒穿旗袍、臨時相約只能錯過的拜訪、春光、半張紙織的席新換上、薦骨從遠方打來電話、抽芽的白櫻花枝和瘋長的創作種子,各種情緒事件雜錯無章。雀躍的、失落的、新鮮的、無聊的、生氣的、惆悵的、積極的、遲滯的,繽紛跳躍,色彩豔麗,不知所云萬花鏡,蒙太奇。<br /> 便似那些疾速流轉的旅程和幻夢尚未褪去,光圈很大、對焦平面很淺,我老是看不清楚視點以外的全貌,有種詩意的模糊,反而使一切都美。霧裡見花,似花非花。</p><p> </p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-91051927122522645532023-03-07T00:15:00.005+08:002023-03-11T00:59:11.296+08:00月點波心一顆珠<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicIcaYSw3m6i6Y3VLoPUn3uhR_EHgGQN4BcMvGE2r21-ejfYv2oo8ur7ua4VFu3RfOOf7yCquZnraNxM_9CpiOIKqJIi5kXIMTYKwJyZ7AGRIVwdlzHNZweKVwvXJmdrt6jI2BUpS-x5GXnXqjFnWA1LpGOz-MN4pv1B2tIBmqXTia7Rc5mqq2qG7S/s2364/IMG_5110.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2364" data-original-width="1773" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicIcaYSw3m6i6Y3VLoPUn3uhR_EHgGQN4BcMvGE2r21-ejfYv2oo8ur7ua4VFu3RfOOf7yCquZnraNxM_9CpiOIKqJIi5kXIMTYKwJyZ7AGRIVwdlzHNZweKVwvXJmdrt6jI2BUpS-x5GXnXqjFnWA1LpGOz-MN4pv1B2tIBmqXTia7Rc5mqq2qG7S/w480-h640/IMG_5110.JPG" width="480" /></a></div><p><span style="color: #999999;"><br /><span style="color: #666666;">by 別人家的iPhone 13,路邊投幣機的morning shot,晨光,西陣地方,日本京都。<br />百年沒用這個視角見到自己,覺得無比新鮮。感謝帶我拔高時速,十五天來日日一起走路的旅伴昱安妹妹。<br /></span><br /></span></p><p> 傍晚往東騎行,準備過橋回臺北市。看見二十度左右漸層顏色的低空,扁圓形的月亮好大好白一個,很好吃的樣子。時不時被移動的建築遮蔽,又重新冒出來,隨著客居處更近,月亮越變得小了。<br /> 想到標題這句詩,半個星期以前,桂離宮。池邊觀景亭的名字,難得認真聽了導覽,寫許多筆記,也難得尚未忘去。<br /> 那是最後一個京都早晨,終於預約成功的珍貴行程。而當夜裡著裝笨重,下飛機悶熱到不能好好呼吸的時候,在體感上便被明確斷定:此行收了。</p><p><span></span><span></span></p><a name='more'></a> 今早是我真正意義上的開學,班導的形式研究,從柏拉圖講起,普及內在構成的哲學與美,自然、人造與詩等。步調悠然,不緊不慢,總是睡掉早課的同學一如往常沒有出現,世界還是它的老模樣,使人安心。回到如如不動的舒適圈,仍有眾多繁星閃爍在腦海裡,我感覺富足。<br /> 很多時候去到另一個不相熟的環境,允許顛覆,偶爾逼迫自己因地制宜,或許頗有必要。不光為了逃避和享受,也是另一個重新觀看當下自己當下處境的機會。一陣晴日一陣雨再夾風夾雪(2/21)、第一次被輕雪撲滿睫毛(東寺)、學會戴帽子保護耳朵、再次習慣披頭散髮、碩月懸掛東西日夜看顧我們(奈良)、讓語言完全無法相通的奶奶用盡熱情關照(嵯峨嵐山)、與慢熱的陶家前輩交換了石頭(郡山市)、遇見冷山寺院裡一尊很親近的如意輪觀音(室生寺)、在榻榻米上頭倒立、重複去喜歡的地方踩踏很多遍(六角堂)、如願以償搜刮完架上所有的富士底片(七条大宮)......我經過他們,他們經過我,互為過客。<br /> 午時填了燒窯預約,下午桿陶板做試片。輪轉一回,重新構建我的踏實。<p></p><p> 日暮收工,見室外磚窯長出來的蕨類嫩捲葉,鍍上夕陽的金色。<br /> 攜底片去新莊送沖,被相館拒絕了一捲他人贈予的電影底片,尚且不知被落下的是前往哪裡的哪一日。 <br /></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-56850634083215531812023-01-27T00:58:00.003+08:002023-01-27T00:58:51.667+08:00水月道場<p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnuXLRHoKs2VAP0eC7JT_mJZh7Q_9Fljo_TaNfadAPbL6c3gwZCyMFSpFfaK1UIr6NHwAdeJQKI1G__9Uq_-1dKa9QKsh9cAj3zFLAJCt5PAkZpI7UVtwCh_EafxmecfamiziX7Ric7b3HEWgHKK2wIylzE4ZojRR4-NGBXmgWwhshjDy5AL2IfrBi/s3089/00170018_cl.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3089" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnuXLRHoKs2VAP0eC7JT_mJZh7Q_9Fljo_TaNfadAPbL6c3gwZCyMFSpFfaK1UIr6NHwAdeJQKI1G__9Uq_-1dKa9QKsh9cAj3zFLAJCt5PAkZpI7UVtwCh_EafxmecfamiziX7Ric7b3HEWgHKK2wIylzE4ZojRR4-NGBXmgWwhshjDy5AL2IfrBi/w424-h640/00170018_cl.jpg" width="424" /></a></div><p> </p><p><span style="color: #666666;">Kodak Ultra400 (Lilai_287505-0017),入學第二週,和學校還不相熟的時候,靜靜看著陶工坊南面窗前,某個秋日,機器們尚未醒來的早晨。</span></p><p> 初五迎財神,再向前看初六各行開業,定擺的諸多事項又準備活起來。這個春節過得早,不免有些起始太倉促了的,得慢慢收拾。<br /> 送別初四相約回祖宅聚餐的眾多家族成員。各個家庭有自己的生態,有小孩子的、有老人家的,準備成家的、退休或升遷的,聽聽看看別人的煩惱和成就,更新各自進度,是種有趣的聽故事心態。<br /> 自顧自宅久了,容易忘記這個世界有恆河沙數的情節和際遇。跟我的臺北孤僻日常相差許多,而每年也就這麼一回:走走親戚舊友、掃掃院埕、洗很多碗,群聚一塊熱熱鬧鬧,溫暖而熙攘的人間煙火。</p><p> 難得有這樣時刻,與自己不太親密,分居著的,隔岸觀火的。夜晚的時候突然想念起轆轤,想念手上黏膩或滯澀的土的質地,想念那些看似與他者實為自身糾結的拉扯。還有光,其後的影子,與其他寧靜得剩下呼吸的時候。<br /> 人情往返漫上來淹過防風林,雖然我正面站著,其實很想逃走。不過成長就是這個樣子,妳逐漸學會偶爾分居,留一個自己在很深的宅子裡,在夢裡或能相見一二。</p><span><a name='more'></a></span><p> 上個年度後半太多支線分頭進行,情緒鈍感,堪堪維持健康起居,沒能統理出完整脈絡。然而不久前的年末併期末,得到一個類似詰問的#934基礎白釉,和幾個確實頗得我心的土器,簡直上天恩賜。好像得到那麼一點日頭,就能再默默燦爛很久。<br /> 今天午時難得無事也無來客,曬著光,用過期十來年的120底片,看野草叢裡的花兒伸枝招展,看蛛網繾綣地縛獲一片枯葉,冬陽下什麼都是美的。那個美絕對有大半,在於溫度舒適(微笑)。<br /></p><p> 埔里房間窗前梅花綻了又謝的冬春之交,即將再送走一個年歲,迎來另一個。<br /> 願不想留的不介懷,願珍視者彼此相悅,願在在處處都得自如,如魚得水,恰如其分,願知足,常樂。</p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-4350141288058957402022-11-07T00:50:00.024+08:002022-11-16T00:15:33.680+08:00生活優先<p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi410SJ0J1gjns6P2svJcWLXksc6uHNvjicayuWZpcW7WTRAlp2ZbLZL5Pvk80sG5F88w9DGkDZ5XQywVaD7R7VC9sB2oguVy1OdLmOAHq7NGjOaKE2U4qnw-Moqy2xWYSxqrQcmmwYQsRkwi-yFXrOScY_VWt8FmpxTmriwr-E9SlZYzpX8C-wqLhF/s3635/66170002_darken_a%E6%8B%B7%E8%B2%9D.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2596" data-original-width="3635" height="458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi410SJ0J1gjns6P2svJcWLXksc6uHNvjicayuWZpcW7WTRAlp2ZbLZL5Pvk80sG5F88w9DGkDZ5XQywVaD7R7VC9sB2oguVy1OdLmOAHq7NGjOaKE2U4qnw-Moqy2xWYSxqrQcmmwYQsRkwi-yFXrOScY_VWt8FmpxTmriwr-E9SlZYzpX8C-wqLhF/w640-h458/66170002_darken_a%E6%8B%B7%E8%B2%9D.png" width="640" /></a></div><br /><br /></div><br /><br /></div><p><span style="color: #666666;"><span>Kodak ColorPlus 200(Lilai284728-6617),秋陽照在南面的窗,大稻埕客居處,臺北。<br />黃銅蟾蜍紙鎮,小撮火龍果,窗溝角落,劍山背部。</span></span></p><p><br /> 立冬了都,季候流轉,近日該當好好侍花。<br /> 昨天洗下換季不完全堆積許久的衣服,今天基隆放課回城,席上小睡片刻,醒時殺了今年第一顆柚子,正正經經行茶。(選了十年的冰島秋,生普洱特有的苦甜香迷人且暖心,贈茶的朋友在米蘭的學業進入第二個月,遙遙祈願平安靜好。)<br /> 茶是很久沒好好喝了,日子忙碌的話,咖啡比較方便:豆子轉轉磨碎、溫潤濾紙、平鋪礫粉、注水沖泡,頂多逆轉正轉繞幾圈待水滴盡的功夫。不需要什麼絮語情思和空白等待,省時間的熱飲料。<br /></p><p><span></span></p><a name='more'></a> 失去聲響的時間裡,打水漂快節奏地經過許多不大不小的事件——新學業開啟很是慌亂,發現修研究假的目標老師在開學前雨後春筍冒出幾堂課,恰與固定瑜珈班小衝堂,週間日程狠狠調適一番。尚沒能在陶瓷教室摸摸拉坯機,確診清淨七天,補長覺,之後出關至今,持續累積缺覺時數。在工作室和十來年沒怎麼聯絡的大學同學約了個茶,久別重逢,聊聊當年和如今,恍若隔世(,雖然沒什麼昨是今非的大感慨,也必不可免生出一些唏唏噓噓的微妙心理,這個年紀哎)。滾動式復課和新開了小團體班,備課和磨合還需要時日。週間燒了自己第一個素燒窯,總算在期中以前給自己一些肉眼可見的交代,陡然心下寬裕。<br /> ——簡言之,幾年來的閒散無法妥善反應的飽滿行程。<br /> 不太緊要但更加核心的那些,諸如想念起誰趕緊敲響或手書魚雁的問候、在系上圖書室翻出江爺爺的印刻集摩寫其中「埔里」白文突然讓我好思鄉、竟然不賴床若干果斷的早晨、日記裡逐漸發展關於創作(或所謂主體性)的疑問和脈絡、不知道有沒有養好的兩個生理期、斷斷續續抄經、畢生從未體驗過猛烈喉嚨痛和其後的開嗓與聲音練習、梵唱和空間共鳴上面的新感想、手上沾滿泥巴時候片刻的心內空曠、剛出窯的陶器在冷空氣裡緩慢長出釉裂時而伴隨小小的彈撥聲響、身體內部虛空間的真實體驗、偶爾察覺自己生出婆媽口舌的厭惡之心,如此等等。散落在無垠的黑暗中,像星光一樣,微弱而閃爍,我暫時無法對它們進行紀錄、整理、和收束。<br /> 不過沒關係啊,不著急。如實看著吧,記得眼底的景色。<br /><p></p><p> Hart老師說,呼吸有四個面向:它的短長、質地平滑或者凹凸、它的容積、以及它的休止(樸素的英文單辭翻譯過來,變得非常詩意)。時常觀察呼吸的話,能對自己進入另一個維度的認識。這也是一顆持續閃滅的星子,我最近時常凝視著。</p><p> 年底近了,選舉近了,城市裏的街道和建築,手機裏的社群和資訊,都花花綠綠的,一派不清淨。不管緊繃或者鬆泛,一天的客觀時間也就二十四小時。如何處置,主動被動呢,大多還是心態,在忙碌中得閑心也是一個不錯的練習。<br /> 時刻呼吸吧寶貝,別只是喘息。<br /><br /></p><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com1tag:blogger.com,1999:blog-2253943660944709983.post-59516710746043900592022-08-28T04:20:00.008+08:002022-08-28T19:42:27.346+08:00薄夜<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzNI6piN9ZnksorygakL2ftSiwesxKn222XCiT7YbHVWl-Dok1vL18AUDFYJjKIll7UHsV1qDQyEESTCkHyTIWpz-BsmJYMmJNe04TA6DobR4XkS_e8F0p6Srm87sJOBxzQE99a7GhkaidjEylOCMYVuDE-ZRheDwv__AYlYyx1ie7weHzYfoXe0RQ/s2328/42300001_crop.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1899" data-original-width="2328" height="522" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzNI6piN9ZnksorygakL2ftSiwesxKn222XCiT7YbHVWl-Dok1vL18AUDFYJjKIll7UHsV1qDQyEESTCkHyTIWpz-BsmJYMmJNe04TA6DobR4XkS_e8F0p6Srm87sJOBxzQE99a7GhkaidjEylOCMYVuDE-ZRheDwv__AYlYyx1ie7weHzYfoXe0RQ/w640-h522/42300001_crop.jpg" width="640" /></a></div><p><span style="color: #666666;">Fomapan 100(120 film by Lilai_282386-4230),日月推窗前檯,埔里黃宅。<br />其實是個送別(併迎新)。</span></p><p><br />某些很安靜的時刻,我看見時間滑過去的形狀,是個圓潤的多邊,抑或尖銳的角,他們有的帶著濃重顏色的劃痕,有的輕透如蜻蜓翅膀。</p><p>某些無語言的時刻,我聽見腹腔內臟器相互擠壓咕嚕咕嚕,也聽見釉面在熱水沖刷之下畢畢剝剝,像海底深處的火山,靜夜的柴火。</p><p><span></span></p><a name='more'></a>等待的時刻,在地下層的角間書店隨意翻翻。<br />翻書首讀封面封底,二讀目錄,覺得還可以再讀,才接著內文。<p></p><p>有個小標題説:<span style="color: #cccccc;"><i>生命只是用他原有的樣子躺在那裡而已</i></span>。<br /><span style="color: #666666;"> </span></p><p><span style="color: #666666;">-<br />原是個熱熱鬧鬧的正閩式紅瓦磚,濾掉顏色,灰階靜寂。<br />曬曬隔日來作客的乾小兒們,同個窗前,七月中旬,四歲半/二歲半年紀。<br />Kodak Gold 200(Lilai_282385-4009)</span></p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXMxKjfcHixILZcJ5UfO2NLMD3lVqiKJ2fwdG1Il0-ub-zsIKAhobRai-N0-WW6aHnQyBESGHnFO7RJReHnUIlf0f50i2w7a8LMboO2u8U9HUbEEcIf1Co0D7P9TW5_gWKZQwlkoCCLgePwf6-pJKgKKMuxmcnteIgyRcJlHoHyLCRcZsqOPCC3bPm/s3089/40090006.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXMxKjfcHixILZcJ5UfO2NLMD3lVqiKJ2fwdG1Il0-ub-zsIKAhobRai-N0-WW6aHnQyBESGHnFO7RJReHnUIlf0f50i2w7a8LMboO2u8U9HUbEEcIf1Co0D7P9TW5_gWKZQwlkoCCLgePwf6-pJKgKKMuxmcnteIgyRcJlHoHyLCRcZsqOPCC3bPm/w640-h424/40090006.jpg" width="640" /></a></p><p></p><p><br /></p><p><br /></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-41613669747185751132022-08-20T16:57:00.002+08:002022-08-20T19:19:45.238+08:00逐水草客居<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_b-LgMGAZRaPGNawNP9Zz5W9M4FZaTKqMYwvOtXixCEyYJ-CbSzFSY1ks3mLwe_pFLum_xuP2I1DZSdLJRGuki3jvf03aJJYkfHY4QerJsevadC_m1Nrs3yetne1ZM0AL0L-crf1s1IH45lzCHDZhJPwp4AAW6w06mMjA4KhMEitXd1rrKs05UsYZ/s3089/40090019.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_b-LgMGAZRaPGNawNP9Zz5W9M4FZaTKqMYwvOtXixCEyYJ-CbSzFSY1ks3mLwe_pFLum_xuP2I1DZSdLJRGuki3jvf03aJJYkfHY4QerJsevadC_m1Nrs3yetne1ZM0AL0L-crf1s1IH45lzCHDZhJPwp4AAW6w06mMjA4KhMEitXd1rrKs05UsYZ/w640-h424/40090019.jpg" width="640" /></a></div><p><span style="color: #666666;">Kodak Gold 200(Lilai_282385-4009),落地栽種的巴西櫻桃,今夏,埔里黃宅門樓花園。<br />記憶一向是非常個人的,在影像的喚醒機制上尤其──燥熱的蟬聲和陽光的氣味,柏樹和紅磚地,還有平行一道種植的一棵姬馬茶,墨綠蠟感尖小葉,白色五瓣小朵小朵花兒。</span><br /></p><p></p><p><br /> 過立秋,近處暑,夏天的時序或長或短,都跟真實體感溫度(電費帳單)不直接相關。倒是雲層肉眼可見地厚了起來,沿著河有風,無預警幾場大雨,城市終於稍微清涼下來。今年的臺灣氣候,似乎有了點四季分明的趨勢,可喜可賀。<br /> 上面幾個星期作漆的指節皮膚過敏退去了,生理痘愛冒頭否使人糾結。內分泌狀態剛剛回正,又是下一輪補漆土貼金箔的時程,各種輪轉如是。說起來女生的月經週期確是上天的饋贈,縱使有生育與否的各式伴生情節,至少是個良好的外部條件檢視。</p><p><span></span></p><a name='more'></a> 跨兩個週間,十日瑜珈研習方收了。與教學進修沒什麼關係,單純個人需要,去注視喜歡的老師,如何陳列、發散、堆疊或點亮另一個可能性,運用意識的其他邏輯系統,他方序列。獨自封閉循環太習慣,偶爾進入別人的領域,作個沈浸的無殼蝸牛,遊牧民族般萍水相逢,也是很好的觀光路數。<i>「把外在的聲響涵容到聆聽當中」</i>,翻譯姊姊溫柔地説。關於呼吸的器質、不完全解剖學理的腔體和骨骼體驗,都有很多新知加入,也許往後下一階段的閉環中能夠慢慢論證。<br /> 每日,像個正兒八經的上班族,為自己沖一杯香氣四溢的黑咖啡,出門之後順流人車,奔赴一個未知的學習。規律地、反吸血鬼生態地、努力使自在地,在一邊淨空雜念又一邊告誡自己課程很貴(灑錢可恥)的騎行間,朝著方興未艾的初陽眯眼前進。<br /> 我等苔類人種,前一夜的休息週期太重要了,雨露溫溼,如何被喚醒,直接關係後一日的向死又生,是乾枯是欣榮。覺得很有意思,「固定客觀時間固定行程」之後,變因範圍縮小,對於我任性過頭的生活方式直接抽一頓板子。在即將迎接下一個研究生身份以前,不失為一個重要告誡。<p></p><p> <i>「苔の花小疵に咲や石地蔵|青苔的花在 它小裂縫裡長出來—— 地藏菩薩石像」</i><br /> (1788,小林一茶)</p><p> 接下來有什麼計劃嗎?開學以前,得把新電腦的程式和系統問題搞定、上一批素坯的釉、兌現幾個延宕的茶約、了結窮途末路的前日記、為陶瓷作物們建檔、還有,該再回趟家吧。<br /> 不知道還會在這個城市待多久呢,最近對時限越迷茫,越提醒自己不如處在當下。不遲滯過去也不躍進未來,只是容受它們如實到來的時刻。</p><p><br /></p><p></p><p><span style="color: #666666;">同卷底片上面幾格,七月中旬下午三四點鐘,天光雲色老柏剪影,</span><span style="color: #666666;"><span style="color: #666666;">埔里黃宅晒穀場</span>。</span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8mhnOpqJ_N3_2lYNL2Xq-8unYAgf3RZlCXVUboBVAxOJVwH2tc5HZMtH6M3j1lZXYEPqMLjiZSGyrNO0iZEyDhjjAEh2CyEXej-XOyO9l0nBWRgwyNahswFrhthIuRrNo9jABhHmXWLMnXzs1tnKKOJ6nXFbokmghCoElUci18e7tL7HKtNcozT1w/s3089/40090004.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8mhnOpqJ_N3_2lYNL2Xq-8unYAgf3RZlCXVUboBVAxOJVwH2tc5HZMtH6M3j1lZXYEPqMLjiZSGyrNO0iZEyDhjjAEh2CyEXej-XOyO9l0nBWRgwyNahswFrhthIuRrNo9jABhHmXWLMnXzs1tnKKOJ6nXFbokmghCoElUci18e7tL7HKtNcozT1w/w640-h424/40090004.jpg" width="640" /></a></div><br /> <p></p><p></p><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-91608830240794445292022-07-28T21:41:00.005+08:002022-08-01T23:04:47.074+08:00reference<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjokOvoHGO4XO0fsWjTYl1e5nCaXM2OEAte9N1lra-utf7W174vaJa_mOlCHRsO6l0q1Dl8gWzexaDEaigUZj3bvqa2HA4F6yoD1oCAMO49jpjCFg-KblvAHbKOVvauNNFFYnvTZkzzToSZ_z0uFyyfVoPPXN2QGd5nH9qlhimH88ZY1Mr4WmLsNC5a/s2858/43720001.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1895" data-original-width="2858" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjokOvoHGO4XO0fsWjTYl1e5nCaXM2OEAte9N1lra-utf7W174vaJa_mOlCHRsO6l0q1Dl8gWzexaDEaigUZj3bvqa2HA4F6yoD1oCAMO49jpjCFg-KblvAHbKOVvauNNFFYnvTZkzzToSZ_z0uFyyfVoPPXN2QGd5nH9qlhimH88ZY1Mr4WmLsNC5a/w640-h424/43720001.jpg" width="640" /></a></div><span style="color: #666666;">Kodak Gold 200(Lilai_282736-4372),上週金山一日行出門前裝好底片,釋放快門待過片的幾張。<br />光線不足的客廳角落,沒預期能成什麼像,卻終究留下來的茶席小景,好久以前衝動拜金的一張老布。</span><p></p><p><br /> 除了基本如生存的家鄉茶,最近愛喝純料生普。喜歡那種具有衝擊的苦甜,很直觀的土地氣息,有些豐厚,有些清甘,大概是一個接近生命現狀的樣子。<br /> 前幾天插了新的花,號稱來自翠峰的高山杜鵑,細細的小葉子,花開過凝成的小種籽,還有樹枝上密密扎扎的地衣苔蘚。作完淨了手,還殘餘一個彷若生普的森林氣味,雋永又清新。</p><p><span></span></p><a name='more'></a> 今天午前從席上起,夢遊般補了水又放了水,回籠一會,竟夢到嬤,面容清晰又年輕貌美的樣子。怎麼能這麼美,神仙顏值阿。醒時覺得好夢幻,像個遇到偶像的小粉絲,又過一會才回神,很痛快地大哭起來。<br /> 想想幾乎過去一半歲數了噢,她竟然已經不在這麼多年,也幾乎不太提起想念。就成為了個印痕吧,不小心從書架上拿出一本舊書,翻開來看到某個秋天夾進去的一片銀杏葉子,鮮黃褪成淡黃。好像不論如何麻木地繼續活著,那些封存起來的情緒都沒有真正過去,只是頻率和程度變得低了,或是世故地學會如何演成若無其事的樣子。<p></p><p> 參考很多人的說法,比方三種版本的下半年運勢,比方別人認為合適的定價,然後拉開距離重新評估,是否繼續半推半就下去。「我真的能成為我想成為的人嗎?」──在這個年紀還問這個問題意義微妙,很多時候我甚至不能很自信地肯定自己還在路上,或給予一個準確的定位關於迷途到了荒煙蔓草哪裡。<br /> 在書店裡看各色的人、在展場看各樣作品、在貨架上看琳琅滿目的消費煙火,既有所得,卻更迷惘。人事物都是流動的,奔赴他們各自逐向。<br /> 偶爾,我只想隨波,坐在萬物身旁,記下他們一時一刻的面容,不談感受,不予評價。只是經過,陪伴著。</p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0tag:blogger.com,1999:blog-2253943660944709983.post-79026900431358478302022-07-23T14:56:00.011+08:002022-08-01T23:04:03.900+08:00夢迷<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKTo_ef1R0anjDc0wuT_a_HmjWuuYGNPZ7WgPrVC79hvNVwkktfwZ1oYIyZL-N3OtOHZ7yRikynWB3TvVVFe6yBuIzxzW3tuJ3nKmAx0ioqowhbTtUQpc37wlOF8tWnMfRjY6clSaqjfY-o3vn1Q0GY9aUahUCMGg-YyevS0UhmTwmUwSKsYUYqWr4/s3089/40090016_.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKTo_ef1R0anjDc0wuT_a_HmjWuuYGNPZ7WgPrVC79hvNVwkktfwZ1oYIyZL-N3OtOHZ7yRikynWB3TvVVFe6yBuIzxzW3tuJ3nKmAx0ioqowhbTtUQpc37wlOF8tWnMfRjY6clSaqjfY-o3vn1Q0GY9aUahUCMGg-YyevS0UhmTwmUwSKsYUYqWr4/w640-h424/40090016_.jpg" width="640" /></a></div><br /><span style="color: #666666;">Kodak Gold 200(Lilai_282385-4009),上週四茶訪後,回往埔里曲折的山路。香茶巷,魚池鄉。<br />坡地茶園、農舍、竹林、肖楠,再遠方有片檳榔,更遠方群山在雲霧中,夏日陣雨前。</span><br /><p></p><p><br /> 週二例行回診拍X光片,看看骨頭現在的形狀。跟醫生道謝與道別,即便間隔越長,約連著約也跟蹤了三年有餘。人的腰椎面大約是自已的手掌心大小,我的四五節間軟組織盤扁密,活動度已經很小了。既沒有壓迫到神經也不增生骨刺的話,二節約等於一體,便如薦骨和頭骨們的間隙,足夠堅實之後再難反覆。即(姑且不附會其他能量通道或修行法門),喪失了物理可能性。<br /> 但是生命好像就是這個樣子,隨著經驗和年歲疊乘,總要面對許多不可逆,也不知道會因此畏手畏腳了呢,還是換句話說更加清晰所謂行路。捨取相伴此消彼長,<span>莫衷一是。</span></p><p><span> 週三一早,天氣熱烈,碧空如洗。往南騎行到鶯歌,一路都在哼歌。前一天拉的瓷胎溼度正好適合修坯,摸出器物的足,覺得工作狀態不錯,計畫過午休去買一包新的日本土。拿出手機刷一會,看見家庭群組裡,清晨,爸爸轉知外婆前夜子時平和離世的消息。乾巴巴回覆了個節哀主題短句,一枚狐狸小天使貼圖,我心知生者的悲傷無可慰藉,語言何其蒼白。<br /> 下午也辛勤勞作了。開新紫紅土,無預設轤轆塑型,蒐集一些泥漿,為瓷胎化妝。申時雷陣大雨,和著中山路車聲涮涮、挑高廠間加厚鐵皮沉悶而密集的篤篤答答。回程我在雨衣和安全帽裡唱心經和無盡的心咒,不辨悲喜。堤外的</span><span><span>大橋、</span>大漢溪、大草原和大都會球場皆在雨幕裡,彷彿都與人間的小情小愛沒什麼關係。 <br /></span></p><p><span> 「</span><span style="color: #cccccc;"><i><span>露の世は 露の世ながら さりながら|</span></i></span><span><span style="color: #cccccc;"><i><span>露珠的世界是 露珠的世界, 然而,然而……</span></i></span>」<br /> (1819,小林一茶)<br /><br /></span></p><p><span></span></p><a name='more'></a>_<b><br /></b><p></p><p><b>a. 莊生曉夢迷蝴蝶</b><br />其中一個要點是「莊生非蝴蝶」,那麼迷(作)蝴蝶才有夢(虛擬、幻想和轉化)的意義。<br />假若莊生是蝴蝶,那就不存在迷夢的可能性。</p><p><b>b. 嶄新的陳師傅</b><br />每次去看骨頭的形狀,都會想念起這麼一個萍水相逢的人。<br />專業過硬,奇經八脈、陰陽、解剖學和肌肉動力都能聊上一些,會在推拿時超展開話題的道家江湖朋友。<br />茶約時分享了遙遠而古老的夢境,頭冠和布衣、祭司列隊、白色的大象和希臘立柱大殿堂。說:是不曾涉略的建築樣式啊,醒時循著殘存的畫面,搜尋到帕米爾高原上的神廟,覺得就是它了。與人討論,解夢曰:履世自當行醫,不論從哪裡來,將往何方。<br />欣羨這些很篤定的人。</p><p><b>c. 迷夢的距離</b><br />可無限趨近,但不可以真正抵達。<br />不可以落地,踏實了,就死了。<br />然而妳亦知道努力生出翅膀飛出去(哪裡?)也並不是歸宿。<br />條件補述:夢的縫隙(在現實和絕對幻夢之間)或平行宇宙,非得迷(不識)路。</p><p><span style="color: #999999;">_</span></p><p><span style="color: #999999;">獨自的公路旅程是很必要的,自此地前往彼地,既專心移動又分心抽離,催產若干無益於當前生活的吉光片羽。我時常在那些狀似夢遊的時刻,去嘗試躍入迷路的心情,覺得自己離所謂的詩性,略近一些。<br />而書寫是一件使我成為我,變得有底氣有秩序的事兒,無論是否有誰路過,看或沒看呢。</span><br /></p><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com2tag:blogger.com,1999:blog-2253943660944709983.post-46792601901558596832022-07-07T01:56:00.063+08:002022-07-09T00:49:47.437+08:00古文明遺址<p style="text-align: left;"></p><div class="separator" style="clear: both;"><span style="color: #666666;"></span></div><div class="separator" style="clear: both;"><span style="color: #666666;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdQ9ZKMJGKIMBpXdhD5anWJU2L44_xQPKdQMuo9QHaeZ0TEDxJP_ucKxAPIaVAhv29yPdl0fngIXGc3h4get-y1Mc-LiVpfepah87PzzuPScytvpfkf5HpkLHgAnWwylfbN79RXr5xzGPAtiUTa6woF2sbtSHrHYhXUVWzsvkO7dkAdhXca3Ffaw0P/s3089/29080022_bw.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="3089" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdQ9ZKMJGKIMBpXdhD5anWJU2L44_xQPKdQMuo9QHaeZ0TEDxJP_ucKxAPIaVAhv29yPdl0fngIXGc3h4get-y1Mc-LiVpfepah87PzzuPScytvpfkf5HpkLHgAnWwylfbN79RXr5xzGPAtiUTa6woF2sbtSHrHYhXUVWzsvkO7dkAdhXca3Ffaw0P/w640-h424/29080022_bw.jpg" width="640" /></a></div><span>FOTOS FILM 400(Lilai_281451-2908,Ps-B/W),六月最末日。</span></span><span style="color: #666666;"><span><span style="color: #666666;"><span>陸府植深館,臺中市南屯區。</span></span><br /></span></span><span style="color: #666666;"><span><span style="color: #666666;"><span>吳孟璋</span></span>石雕個展</span></span><span style="color: #666666;"><span><span style="color: #666666;"><span>《倚光寓影》/</span></span>【處-7】安山岩,作於2017。 </span></span><br /></div><p></p><p></p><p><br /> 最近很常聽一張2007年出版,清水靖晃先生的Cello Suites專輯。以薩克斯風演奏無伴奏大提琴組曲是一個饒富趣味的嘗試,光是音色的穿透(擾民)程度,便不能同日而語,即強即弱和連續音的表現更完全不是同一個概念。不知道逐漸學會聽銅管是不是一種世故的包容或環境教育的成果(也可能只是喜好轉移啦),要說十年前,完全不能想像自己無成見地欣賞弦樂以外的樂器獨奏呵。另外一提,能路過新雲門舞集的舞作《霞》,遇到這張專輯,真是太好了。<br /> 潛移默化,無意識行動或工作間,腦子裡播放的,皆是非常巴哈、賦格樣式的音符組合。結構得很華麗,禮儀周到的標準古典,釦子繫到最上面一顆完全包住鎖骨那種禁欲系,不流行不旋律程度到達不小心哼出來會讓人很疑惑的等級(微笑)。我有時候會有些無謂的擔心,比如和這個世界的代溝,深到超過自己所能夠負荷。</p><p><span style="color: #999999;">_</span><br /></p><p> 臺中半日游,很少的行程,很多的走路。中午剪頭髮,晚上約了恩師吃飯,空出來的下午,去看一個展覽。拜別頭髮工作室,帶著不熟悉的氣味,往北途經小弟的館子,如約寄一包咖啡豆在信箱,再沿公益路往西,街巷陌生,林立的各色獨棟餐廳光是佔地就教(偽)臺北人大開眼界。</p><p> 抵達陸府,外觀低調的大角間,邁入其中。深邃的入口像個桃花源夾光小山縫,我想到幾年前步行進入美秀博物館時長長的映色隧道,是一個茶室矮小門框那等情緒轉換的載體,準備闖進別人的領域,作一個有禮或冒昧的客人。</p><p> 即便只我一個散客,被很體貼地招待了。導覽的女孩看出我的拘束(附加室外炎熱氣溫晒行許久的煩躁),為我簡介了東西向空間裡日光方位和作品的關係,說到前一天的大雨──室外的安山岩喝飽水以後變成深白色,爾後不均勻地慢慢排溼,很詩意──邀請著一起前往吊頂二樓,看了手稿牆和配置展檯展燈的小房間,留我在那裡。聊天非常愉快,我卻更欣賞她離去的時機。最近總有種假使他人存在,便需要開啟「營業模式」真誠以待的膩味感,孤僻成癮或族群認同缺乏,「與他人一起自在」是個課題啊──不過偶爾被動地面對或逃避,也挺好。<br /> 認真翻開展覽文宣,厚磅單光白牛、單色黑、四方摺,光面主視覺、展品資訊和動線平面;粗糙面單元性的文字論述,資訊量和版面拿捏上佳,既無不能閱讀的贅述,又能自行選擇看到什麼程度。我格外喜歡這個展覽作品旁邊不配置任何資訊去補充說明,它們存在當下與環境一體,觀者要想多認識它索求名字和故事,再從手中的文字查找,像一種對應字母查找單辭的過程。單辭如同命名,本身即是一種指代,用以寄託思念或者表述一個實際存在的物件。而若是我們有幸與所指代物件身處同一時空,那麼直接感受就可以了,不一定需要參考他人轉譯。不可考的誰曾經說:<br /><i> <span style="color: #cccccc;">「文明是一種人工增色,是不歸於真實自然的狀態,目的是為了滿足人類共性上的審美。 」</span></i><br /></p><p> 細細看過二樓的作品,回到通透的地面層先轉一圈,西邊綠籬旁的類陽台、東邊小庭園,還有建築主體,拜訪各個散置在地面的石頭大朋友們。看花崗岩的大顆結晶、安山岩的孔隙、大理石潤潤如凝脂、疑惑玄武岩的角度是否原生;看切削、鑿孔、磨亮、順逆紋理、幾何比例、虛實配比,看作者雕琢的慣性和偏好,看它們或淺或深,無著色。在腦中對應我貧瘠的石雕記憶,草山玉溪的秤砣、中台博物館古人類的面孔和手、家鄉的素人林淵從石頭裡喚醒了像,還有不久前拜見的甘露水阿嬤。<br /> 然後在大廳一角先坐下來,拿出日記寫下一些飄忽的小碎片(紅堡、鷹架、棧板、電線杆停了一排鳥鳥之類),試探性地在觀景窗裡構建幾個畫面,按或不按快門。<br /> 便又流過去好些時間。陸府植深館的建築體是個工業感很強卻被時間陪伴顯得柔軟的樣子,褪成深灰色的細鋼構、大落地玻璃窗、鏽蝕的金屬、大塊弧面和格柵、金棕色凍石、中灰石板、鏡牆和落地大方水盤小景,小庭院裡楓樹在夏天蓊綠,數種蕨類高低錯落,扎扎密密鋪滿綠帶。西邊的樹影漸漸淹進室內,滲進展品皮膚。我打算再繞大廳幾週,到南邊的過廊選張長凳。<br /> 描了眼前拖出綠帶的崖薑蕨,讚嘆(因為技巧不足無法用筆觸表達出來的,)它流暢而野生的美貌,發呆好一會。就算只是類自然,我感到舒適,待著待著沉浸其中,邊際慢慢模糊。趨近於善(或美、或其他什麼有光詞彙)的時刻,我想著,那是很感恩的,無法用語言去描述實體的時刻,Magic Hour。</p><p> 鬧鐘響了,是時候慢慢醒來。<br /> 去摸摸新認識的石頭大朋友,用完最後幾張底片,保留「為何要在楓樹幹寫心經呢?」的問句,對現場的工作夥伴道謝,向這個夢境般的旅程告別。<br /> 夏日的傍晚天光還亮,比之金色,更像純銀表面過火的質地。<br /> 曾經讀到法語有個專指詞彙(由此可見其探索潛意識的專業性和神經質),別的拉丁語系要使用這個概念時,多半會直接引用原文而非加以翻譯。〔<i>Déjà vu|似曾相識</i>〕的分支詞,很適合陪我回到現實世界──<br /><span style="color: #cccccc;"><i> </i>〔<i>Déjà rêvé|好像夢到 or 想像過</i>〕</span><br /></p><p><span></span></p><a name='more'></a><p></p><p><span style="color: #999999;">_</span></p><p><span style="color: #999999;"> 下面這張照片,窗內落地的是</span><span style="color: #999999;"><span><span>【喻】其一的玄武岩,作於2011。 </span></span></span></p><p><span style="color: #999999;"> Nikon FA搭配55mm/ f:2.8定焦,最趁手的出走夥伴。同捲400度的FOTOS FILM,是柯達公司代工的一款新產彩色負片。也沒什麼挑選它的大道理,就是價位不錯、相館搭配沖掃做活動、沒壓力的使用。負片顏色於我是很虛幻的,畢竟片基本色、掃描參數、感光條件等等各項綜合條件,在數位時代裡,幾乎是一種濾鏡式的浮動資訊了。重要性大抵偏於真實顯像和按下快門當下的時間點,當時當刻的抉擇,「一時半會兒」被深刻且操作性地記錄為一個實體,這樣的過程。像紙質的合約,白紙黑字,手壓簽名,落款成證據。<br /> 我大概對這些所謂實際存在可以被觸摸的東西有種本能的著迷,一個遠於單純「腦」的生成,一個「作品」。這篇挑出來的兩張照片用影像軟體析作灰階,因為更符合影像情境吧。哪天有機會再進暗房的話,也希望能放出它們純粹黑白的像。<br /><br /> 只有24張長度的135底片,竟能有十張左右非常心水、反覆咀嚼的照片,太感謝這個夢境。不管是遠是近,凝視和撫觸,在展燈或自然光下厚重或搖曳的,石頭和影子,小風和蔭涼,都是一個過去的,珍藏的小時光。</span><br /> <br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNRWT8UaoBeVd1SkCalSNG5PtTFnxme4Lk3yu1uyc89bL3BPbRsssMNK5R-abrpi8F-tE0CKaZPGfRJ59AI-d5u0X2F8q9PgnnpYRpcSsenAlbFZQ0mSFQBw-crDl3xsVw3ILGkafW8IIV4UoQgBWi9u-TuX5HZIcjhTKWN7buXwTKWIN1csUggZh2/s2905/29080027_bw.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2905" data-original-width="1927" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNRWT8UaoBeVd1SkCalSNG5PtTFnxme4Lk3yu1uyc89bL3BPbRsssMNK5R-abrpi8F-tE0CKaZPGfRJ59AI-d5u0X2F8q9PgnnpYRpcSsenAlbFZQ0mSFQBw-crDl3xsVw3ILGkafW8IIV4UoQgBWi9u-TuX5HZIcjhTKWN7buXwTKWIN1csUggZh2/w424-h640/29080027_bw.jpg" width="424" /></a></div><p></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com3tag:blogger.com,1999:blog-2253943660944709983.post-76705451586673533262022-06-21T23:45:00.015+08:002022-06-23T23:17:00.638+08:00再一個夏至<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnjNSZny8kStSHI1pEABwRsKVN4INBYZ7lwMOPSVVKpkLHxuRKm6sLtCzInxwkBxZUSXBXoupzleIsjl3QEwIGtup4Fajg6tjeKYj5uYbz4MifpCCwIlmq0kYdQcDBT3x9o__JQozV5ffng7_spM-l3Ke5Xld-utg_bG-qA1u5OyTSENLOf5kILMID/s3089/84300012_1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3089" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnjNSZny8kStSHI1pEABwRsKVN4INBYZ7lwMOPSVVKpkLHxuRKm6sLtCzInxwkBxZUSXBXoupzleIsjl3QEwIGtup4Fajg6tjeKYj5uYbz4MifpCCwIlmq0kYdQcDBT3x9o__JQozV5ffng7_spM-l3Ke5Xld-utg_bG-qA1u5OyTSENLOf5kILMID/w424-h640/84300012_1.jpg" width="424" /></a></div><span style="color: #666666;"><br />Kodak Color Plus200(Lilai277649_8430),春室同卷新竹散步,城隍廟旁街街巷巷,老藥局。<br />陽光晒褪色了古早衛教海報非常有意思:體重控制的重要性。櫃裡一干常備藥,白花油和正光金絲膏老相識。</span><p></p><p><br /> 沒什麼顯著長進,也沒什麼過意不去。夏日必備的小疾:假性中暑,蟲害皮膚,一點點慣性發炎與其伴隨的陰虛失水,燥也。<br /> 戶頭裡的數字因為匯率或股市下跌了不少,沒什麼實感。年中購物節剛過,就算清空購物車不切實際,也仍舊賺得不多花得不少,被行銷手段左右。還想去日本或其他哪裡,用數字換取那些所謂美麗的東西。<br /></p><p><span></span><span></span></p><a name='more'></a><br /> 看到一個限動,耿耿於懷幾日,物傷其類。須知:「界線」阿,人之所以與他人、他族、其他物類之有別的依據。<br /> 戲謔與粗俗之一線、博學與賣弄之一線、簡樸與吝嗇之一線、善感與濫情之一線、天真與白目之一線、事故與滄桑之一線、侘寂與造作之一線、花癡與犯罪之一線……在在處處設線,也不過就是自己把自己放在哪裡的邊界。不在他人眼中,在自己腳下。<br /> 說這許多虛浮無著落的──我大概,只是,有點難過。即便是滑過去便罷的近況流通,表達意見辯論引戰大可不必,罷了罷了。不若多加關心彼方被小兒折騰的地方母親,吵吵嚷嚷各種滋味的煙火人間,嗯,還有家鄉的土地。<p></p><p><br /> 連二日進廠,今天跟了還原窯。高嶺土、紫紅土、化妝土;透明釉、高鐵青瓷、冰裂紋。積攢三兩月的大小坯體一次押下去,也就不到三板天地。<br /> 真正試煉出窯以前,都是薛定鄂的器。分明經受頻繁了,還是會有種慎重道別和期待見面並存的微妙情緒,同時寫就喜劇和悲劇的本本兒,戲太多。<br /> 我想到長程的機車騎行,產業道路上各種氣味的風,四通八達的高架橫亙,篩落幾何光斑或黯影,和遠方夕陽西下時沉著的山景。布幕是水彩的,清透,潮溼,一種夢遊的質地。</p><p> 戲多了再何妨呢?那不過就是一個徒勞的,身而為人的,小小的困擾和樂趣。<br /></p>letterofcathttp://www.blogger.com/profile/00883099214815981529noreply@blogger.com0